This post may contain affiliate links for books we recommend. Read the full disclosure here.
Book: “Unbound” by Christy Healy
Publishing Info: Blackstone Publishing, January 2024
Where Did I Get this Book: NetGalley!
Where Can You Get this Book: WorldCat.org | Amazon | IndieBound
Book Description: Rozlyn Ó Conchúir is used to waiting—waiting for the king, her father, to relent and allow her to leave the solitude of her tower; waiting for the dreaded and mysterious Beast of Connacht to at last be defeated; waiting for the arrival of the man destined to win her heart and break the terrible curse placed on her and her land. So, when she meets Jamie—a charming and compelling suitor—she allows herself to hope that her days of solitude and patience are at long last over.
But as she finds her trust betrayed and with newer, more sinister threats arising, Rozlyn learns that some curses are better left unbroken …
For fans of Hannah Whitten and Rebecca Ross, Unbound is a gender bent re-imagining of the classic tale of a monstrous beast and the beauty determined to tame it, set against the lush backdrop of Irish mythology and folklore.
Review: I’m not really sure which came first: my love of Irish folklore fantasy or my love of Juliet Mariller’s books. I suspect the latter likely lead to the former. Either way, through no real study on my part, I’ve become fairly familiar with Irish mythology, legends, and folk tales/characters, so whenever I spot a book purporting to be about these topics, I’m always eager to check it out and see how it compares to the other stories I’ve read. But, while I’m a big fan of both Hannah Whitten and Rebecca Ross, I sure do wish that Marillier would get her due for books like this! While I can see the similarities to those authors, Marillier’s works are a perfect read-alike to this author’s style and general concept. Plus, she’s a very under-the-radar author who I just wish more fantasy readers were aware of, so I’ll do my part and plug her here now!
I will say, subjectively, I very much enjoyed this one from start to finish; that said, objectively there are some quibbles to be found with parts of it. The style of the writing (very lyrical and fairytale-feeling) is just the sort I enjoy, with sweeping prose and beautiful turns of phrase. Like the best fairytales, the style could take on the tone of a how one might imagine a storyteller presenting the fable to an audience around a fire at night.
However, on the other side of this, there were many blatantly anachronistic aspects to the writing and world-building. These are always tough things to point out about historical fantasy books like this, because if you wanted to, almost every book in the subgenre likely strays outside of the strict boundaries of historical accuracy. Plus, one can always say it’s fantasy, so are there really any historical rules to be applied here and isn’t this just nit-picking? Healy writes in her author’s note that she was conscious of these anachronisms and left them in intentionally, using pretty much this exact reasoning about fantasy. But, on the other hand, she chose to seemingly set this in the “real world” and even included the exact year before each chapter (needed for plotting reasons that we’ll talk about next) which firmly and repeatedly sets it in the reader’s mind that this is in fact taking place at a specific point in history.
I wish, instead, that she had simply created a new world and year system. Really, no great world-building or changes would have needed to be made. Just come up with the name of a fantasy world, make an obviously different calendar system, and ta da! Many of these anachronisms go away! As it stands, many of them will only really be noticeable to those who know a lot about the time period and the import histories of things like chocolate. But others, like the repeated use of the word “okay” in dialogue, really do stand out as distracting.
The inclusion of the years at the start of each chapter heading are very important however, whether using a fictitious calendar system or not, as the story is told in a very non-linear fashion with many jumps forward and backward in time. Now, I’m on record through my various reviews as enjoying this sort of fragmented story-telling. I enjoy meeting characters who clearly have a long, complicated history with one another and then jumping around through their stories to slowly piece together how they came to be in this state. I think, when done right, it can create some excellent stakes to the plot right from the start. But it also requires the reader to trust that the author will bring answers eventually and be patient with not understanding exactly why characters say and do what they do currently. So, for some readers, this may be a challenging read, as the story does very much jump around in time between the current situation, the past, and then, even more strange, a several-centuries-long jump that comes about halfway through the book. Even for me, this half-way-through jump and the introduction of new characters was a big ask on the author’s part. It all ties together nicely, but I think some readers might struggle to stick it through.
I also do not like the fact that this book has been marketed as a gender-swapped “Beauty and the Beast.” If you squint, yes, you can see how the promoters got there, but there are really no elements of the actual plot of that tale to be found in this book. It’s more, we seem to have come to the point where anytime there is ever a vaguely (reallllly vague sometimes) monstrous character and a love story, marketers can’t help but shout “Beauty and the Beast re-telling!” at the top of their voices, forgetting that a “re-telling” implies that the story itself should be similar to the original fairytale. It’s misleading to readers to call books like this re-tellings and more likely to result in disappointed readers leaving negative reviews and thus out-pacing any gains that had been hoped for in using this fairytale as a lure in the first place! It’s even more frustrating in this case because there are actual Irish folklore characters that are obviously the inspiration for much of this book.
So it’s tough to sum this all up. I did enjoy this book, overall. I think the writing was fairly high for a debut novel, and I’m especially looking forward to any future books by the author when, perhaps, some of my quibbles will be improved upon. I think there were a few stylistic choices that a good editor could help with. And then, as far as the plotting, I do think it will be challenging to some readers, but it worked for me, so it’s something to keep in mind going in, whether or not this will work for you!
Rating 7: Overall, a very solid debut book, though I do wish some work around had been used for the anachronism, either changing the world itself or editing out some of them.
Reader’s Advisory:
“Unbound” can be found on these Goodreads lists: Fairy Tales for Grown Children and Fantasy Romance.
The Library Ladies 