

Today we have a very special post, dear readers. We are very grateful and very honored to have Michele Campbell, the author of such books as “It’s Always the Husband”, “She Was the Quiet One”, the brand new “The Intern”, and more thrillers, here on the blog for an interview. Kate is a big fan of thriller books and of the aforementioned novels from Campbell, and in honor of the release of “The Intern”, we have some questions about writing thrillers, insights to her writing process and more. You can look for a review of “The Intern” on this blog as soon as Horrorpalooza is over. And we want to extend a special thanks to Michele Campbell for agreeing to answer some questions, and to Taylor Brightwell for arranging it!
Q. What kinds of thrillers did you like to read when you first became a fan of the genre? Do you have any specific influences, whether it’s authors you like, or media, or specific sub genres?
A: The legal thriller was my first love, with Presumed Innocent an early favorite. I devoured the courtroom scenes and plot twists. As a young lawyer, I read a lot of Grisham. This was partly out of professional interest, but mostly just because I loved his books. The high stakes and fast-paced plots. The villains, who weren’t just evil, but smooth and sophisticated and smart. The heroes who were just as flawed as the bad guys — full of doubts, tempted by the dark side, always on the verge of moral collapse. Then, when Gone Girl came along, I fell hard for domestic suspense, like everybody did. I adored the nuanced characterization and strong female leads. In THE INTERN, I’ve tried to blend these two subgenres into one – a character-driven thriller with a propulsive plot, set against the glamorous backdrop of the Boston legal community.
Q. You are not only an author, but you also have a law degree, worked as a federal prosecutor, and taught constitutional and criminal law. Does having that background in law affect your creative process in any way?
A: Yes, in terms of both subject matter and craft. After eight years as a federal prosecutor in New York, investigating narcotics and gang cases, going to court every day, standing up before juries, my books always include a criminal investigation. That’s true not only of my legal thrillers, but my domestic thrillers as well. For example, my international bestseller, IT’S ALWAYS THE
HUSBAND, is about the toxic friendships among three former college roommates. But when one of them turns up murdered, the local police chief and the young female detective investigating the murder get their own chapters. And that multiple-viewpoint style, I think, is a hallmark of my legal training. As a lawyer, I learned that there were at least two sides to every story, sometimes many more. Just as I never tried a case with only one witness, I wouldn’t write a book from the perspective of a single character. The use of multiple viewpoints builds suspense and lets the reader be the ultimate judge of the truth.
Q. What inspired you to write “The Intern”?
A: THE INTERN was born from a desire to return to my roots. I actually began my writing career with a legal thriller series written as Michele Martinez (my full name is Michele Martinez Campbell), featuring federal prosecutor Melanie Vargas. Melanie (so I have been told) was the first Puerto Rican female protagonist of any crime series, and she’s based quite closely on me. After that series ended, I turned to writing psychological thrillers and domestic suspense. But I’ve always wanted to return to the excitement of the legal thriller, and write another character whose experiences mirror my own. Madison Rivera is that character. We’re both of Puerto Rican heritage, from modest backgrounds, and went to big-name law schools where we felt like outsiders. Madison matches wits with the mysterious (and possibly dangerous) Judge Kathryn Conroy. The funny thing is, once I started writing, I related just as much to Kathryn as to Madison. They both turn out to be complicated, fascinating heroines, hiding huge secrets and facing impossible choices. I love them equally.
Q. What do you find most challenging about writing, whether in general or when it comes to thrillers as a genre?
A: To me, both the magic and the bane of writing is that there are so many ways to tell the same story. As the author, you have to choose, which by definition means there will be paths not taken. It’s a truism that every writer is either a plotter or a pantser (i.e., someone who writes by the seat of her pants). But I’m both. I start with a detailed outline. Then, as I write, the characters take charge, pushing the story in new directions. That’s when I most love writing — when I’m taking dictation from the muse, watching an alternate reality unfold that I don’t really control. And yet, to produce a coherent book, I have to maintain focus. I have to stick to one idea, to a plot, to a viewpoint. Otherwise, I’ll end up going down the wrong path. Yet too much focus can stifle inspiration. Navigating my way through that tension and finding the right balance is what I find most challenging.
Q: As a blog run by librarians, we love hearing what authors are reading and enjoying! What books, thriller or otherwise, have you been loving at the moment? Any you are looking forward to?
A: I read across all genres of fiction. Books I have read and loved recently outside of the thriller/suspense genre include: Elizabeth Chadwick’s Alienor of Aquitaine and William Marshal series; A Gentleman in Moscow by Amor Towles; The Guest by Emma Cline; and Babel by S.F. Kuang. I of course also read a lot of great thrillers and crime fiction. Recent favorites include The Partner Track by Helen Wan and The House Guest by Hank Phillippi Ryan. I am most
looking forward to Kristin Hannah’s The Women, Jeneva Rose’s It’s A Date Again (because I love a great romance and a good laugh), and of course, the Winds of Winter, which I’ve been looking forward to for the past decade like everybody else.











