Month: September 2023

Kate’s Review: “Earthdivers (Vol. 1): Kill Columbus”

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Book: “Earthdivers (Vol. 1): Kill Columbus” by Stephen Graham Jones & Davide Gianfelice (Ill.)

Publishing Info: IDW, September 2023

Where Did I Get This Book: I received an ARC from the publisher at ALAAC23

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The year is 2112, and it’s the apocalypse exactly as rivers receding, oceans rising, civilization crumbling. Humanity has given up hope, except for a group of Indigenous outcasts who have discovered a time travel portal in a cave in the desert and figured out where everything took a turn for the worst: America.

Convinced that the only way to save the world is to rewrite its past, they send one of their own—a reluctant linguist named Tad—on a bloody, one-way mission to 1492 to kill Christopher Columbus before he reaches the so-called New World. But there are steep costs to disrupting the timeline, and taking down an icon isn’t an easy task for an academic with no tactical training and only a wavering moral compass to guide him. As the horror of the task ahead unfolds and Tad’s commitment is tested, his actions could trigger a devastating new fate for his friends and the future.

Join Stephen Graham Jones and artist Davide Gianfelice for Earthdivers, Vol. 1, the beginning of an unforgettable ongoing sci-fi slasher spanning centuries of America’s Colonial past to explore the staggering forces of history and the individual choices we make to survive it.

Review: Thank you to IDW comics for giving me an ARC of this book, and thank you to Stephen Graham Jones for being SO kind when you signed it!

Back when I had just gotten back from ALA, people were asking me what my highlights were. And one of them was meeting Stephen Graham Jones at a signing at the IDW booth. I was already ecstatic when I saw that he was going to be there, and even more excited when I realized that he was signing ARCs of the first volume of his series “Earthdivers”, a fantasy/speculative fiction/historical fiction series about Indigenous people on a dying earth using a time travel portal to send one of their own back in time to stop America from happening (as America is seen as the main driver of the climate change disaster). I had been eager for this first volume, and getting it WHILE MEETING HIM (and having a lovely conversation!) was just the very best. And “Earthdivers (Vol. 1): Kill Columbus” is everything I had hoped it would be.

The concept alone is so unique and also so, so bold. I mean, it takes serious spunk to frame a story about the assassination of a man that is still, in a number of places, celebrated every year as the supposed ‘discoverer of America’, but whose horrific crimes and direct and indirect actions towards the Indigenous peoples on this continent are impossible to ignore. Even I was like ‘whoa’ when I read the premise of the comic book, but the rage is earned, and it is palpable on the pages as Tad, the man chosen to go back in time and assassinate Columbus, has to take on a mission with high and dangerous stakes. And low odds of success. I loved seeing Tad grapple with the fact he will never see his wife again, that he has to do things that he never thought he could do, and also really enjoyed seeing him slowly start to accept his mission and the bloody business that goes with it. Jones depicts the brutality of life on the ship, whether it’s the dire conditions or the hierarchy that lends itself to violence, and also shows the less acknowledged aspects of the voyage the ships are on (specifically the religious zeal that Columbus has). I also found the tension building and building and building as Tad realizes that his chances to kill Columbus and stop that version of America from happening are slipping through his fingers, and that if he fails, it was all for nothing, and it could mean the end of humankind. The tension is rife, the violence is visceral, and the anger and desperation is well depicted.

But I also liked the ways that Jones depicts the others back on Earth in 2112, as the world is dying due to climate change and they are becoming all the more desperate, especially when they realize that the time portal in the cave may have more dangers than realized. I really liked Sosh, Tad’s wife who is in an uneasy partnership with Yellow Kid, the member of the group who came up with the idea, but has been a little shifty as far as Sosh is concerned. I liked the moral ambiguity that Jones gives a number of his characters, as it raises very difficult questions about the lengths that these characters are willing to go to make this mission a success. And along with that, I really enjoyed how the time travel themes didn’t feel like super hard Sci Fi, and more like fantastical or speculative based in the system in place. We don’t really know what the deal is with this cave, but I have a feeling things are going to be explored as the series goes on.

And I really liked the artwork. I like the use of color and the angles that Davide Gianfelice brings to the page, and I loved the detailed character designs for our main players.

(source: IDW)

What a fantastic start to what is sure to be a fantastic series! “Earthdivers (Vol. 1): Kill Columbus” is another shining star from Stephen Graham Jones. I cannot wait to see what happens next!

Rating 9: Unapologetic, daring, dark, but hopeful, “Earthdivers: Kill Columbus” is a must read in speculative fiction with a visceral message and lots of what ifs.

Reader’s Advisory:

“Earthdivers (Vol. 1): Kill Columbus” isn’t on any Goodreads lists as of now, but it would fit in on “Graphic Novels & Comics by The Aboriginal, Indigenous, and Native Peoples of the World”, and “Best Time Travel Fiction”.

Diving Into Sub-Genres: Military Science Fiction

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We each have our own preferred genres of choice. Kate loves horrors and thrillers, really anything that will keep her up at night! And Serena enjoys escaping through hidden doors into realms of magic and adventure. We also read mysteries, historical fiction, graphic novels, etc. etc. And that’s not even counting the multitude of sub-genres contained within each greater genre. In this series, one of us will present a list of our favorites from within a given sub-genre of one of our greater preferred genres.

There is a “military” sub-genre of most larger genres. I might go as far as covering military fantasy novels in one of these posts in the future. It’s simple enough to see why this would be the case. Military science fiction, like the other military sub-genres, often includes books that are very action-packed, can take place on a grand scale with large battle scenes or focus down to the individual experiences of soldiers, and often tackle very complex moral issues of right and wrong, offense and defense, and the immense cost of warfare in general. Some will glorify battle. Others will strongly critique it.

Often readers of military science fiction are looking for another way to look at human nature and human history. Through the lens of an imaginary science fiction landscape, it’s possible to relitigate and re-explore the events of our own past across a theoretical future conflict. By doing this, authors avoid getting bogged down into the facts (or debated facts) of our own history, while still getting at the meat of the issue behind some of the motivations in our own historical wars.

On a character level, many readers of military science fiction are also interested in the various arcs and emotional pathways that those involved heavily in battle face. Obviously, this is hugely relevant to any/all readers who have their own connections to or are current soldiers or veterans. Themes such as grief, brother/sisterhood, honor, regret, PTSD, bravery and many more can be covered in grand, narrative fashion.

Other stories are more focused on the larger movements and conflicts of nations, entire species (humanity vs. some alien group), and the tactical decisions that go on in these large scale battle scenes. There can be detailed depictions regarding movements of space fleets, the inner workings of deciding which conflicts to engage in and which to avoid, etc. And, of course, this being science fiction, these will often include lots of future technology, from the ships and weapons used, to various biotronic enhancements and the like to the human soldiers.

I’ve tried to include a broad range of military science fiction that includes both the types of books that focus more on the character’s story and the types that go into more depth with grand scale battles.

Book: “Ender’s Game” by Orson Scott Card

“Ender’s Game” straddles both the “soldier focused” and the “battle focused” sides of military science fiction. The story follow a young boy, Ender, a military genius who is essentially forcibly recruited and very soon burdened with the task of essentially saving the world through his tactical brilliance. Much of the story follows his own journey through this type of pressure while also exploring the terrible decisions the adults around him are in the process of making. Throughout the book, we see Ender’s own journey as well as many larger battles, both in the military school where he is trained and later in his role as a commander. The book also introduces a lot of complicated themes regarding responsibility, what makes an enemy, and the role of the individual in a greater war.

Book: “Ancillary Justice” by Ann Leckie

I also featured this book in my space opera list. Like most sub-genres, military science fiction can quite easily weave in and out of and blend in alongside other sub-genres of the larger science fiction genre as a whole. Books like this one fit neatly into both categories. It has the grand, wide-spanning storyline that is often found in space operas, but it also has a main character who is the AI system of a massive warship, now placed in the limited body of a human. As such, the story has a lot to say about the role of leadership, sisterhood, and the way that an individual experiences the broader impacts of war. There are also a lot of really cool space battles, especially in the flashbacks to when the main character was still embodied in the actual ship.

Book: “Old Man’s War” by Jon Scalzi

Kate and I both read this one a year or so ago for bookclub. And it’s an obvious pick for this list, following the story of a man who, through technological advances, joins in humanity’s ongoing intergalactic war at the advanced age of 80. So with that premise, of course the book has a lot to say on the way that one would approach a life as a soldier after already living a full life before, how the outlook of age could affect one’s choices and beliefs. The book also tackles larger themes of colonialization and pre-emptive warfare. Beyond that, Scalzi is just a fun writer, so the numerous battle scenes are action-packed and a fun read, even if still gruesome at times.

Book: “Sassinak” by Anne McCaffrey/Elizabeth Moon

While Anne McCaffery is better know for her fantasy/science fiction involving dragons, Elizabeth Moon is a powerhouse of military fiction. Not only that, she comes from a military background herself, having served in the United States Marines as a lieutenant. So, here we have a book written by two incredible women that also follows the story of a woman who escapes to become a Fleet Captain who then chases down pirates across the universe. This is definitely a character-driven story, following Sassy’s exploits through several mini stories that make up the book. And as it’s a shorter book on the hole, this can lead to perhaps a bit of a disjointed read. But I still think it well earns its place on this list, especially the first half of the story that established the main character as an incredibly empathetic and clever individual.

Book: “All You Need is Kill” by Hiroshi Sakurazaka

Many of you will be more familiar with this story by the name of the movie adaptation helmed by Tom Cruise, “Edge of Tomorrow.” Unlike the other books featured on this list so far, this one takes place on Earth as humanity attempts to save itself from invasion. The story follows a soldier who inexplicably finds himself reliving the same battle over and over again, dying only to start the day and fight once again. It’s like a grim version of “Groundhog’s Day.” There’s an instant appeal to the premise itself, but the close look at how the same day can play out in so many ways really emphasizes the chaos of warfare.

Book: “All Systems Red” by Martha Wells

Like “Ancillary Justice,” the protagonist of this book isn’t exactly…human. Instead, this book and the ongoing series follows the exploits of Murderbot, a security bot that is part of a larger Company that essentially controls the galaxy. As such, this book isn’t the classic military fiction with its focus on warfare and soldiers, but its focus on a security bot grappling with large, existential questions regarding violence and its role in conflict makes it a perfect pick to round out the variety of fiction that can be found within this subgenre.

What military science fiction books have you enjoyed? Let us know in the comments!

Serena’s Review: “A Study in Drowning”

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Book: “A Study in Drowning” by Ava Reed

Publishing Info: HarperTeen, September 2023

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Effy Sayre has always believed in fairy tales. She’s had no choice. Since childhood, she’s been haunted by visions of the Fairy King. She’s found solace only in the pages of Angharad – author Emrys Myrddin’s beloved epic about a mortal girl who falls in love with the Fairy King, and then destroys him.

Effy’s tattered, dog-eared copy is all that’s keeping her afloat through her stifling first term at Llyr’s prestigious architecture college. So when Myrddin’s family announces a contest to design the late author’s house, Effy feels certain this is her destiny.

But Hiraeth Manor is an impossible task: a musty, decrepit estate on the brink of crumbling into a hungry sea. And when Effy arrives, she finds she isn’t the only one who’s made a temporary home there. Preston Héloury, a stodgy young literature scholar, is studying Myrddin’s papers and is determined to prove her favorite author is a fraud.

As the two rival students investigate the reclusive author’s legacy, piecing together clues through his letters, books, and diaries, they discover that the house’s foundation isn’t the only thing that can’t be trusted. There are dark forces, both mortal and magical, conspiring against them – and the truth may bring them both to ruin.

Review: First off, what a fantastic cover! I think this one is my favorite of the year, so far. It sets the tone for the novel and is just interesting in its own right, with little details that pop out the longer you look at it. Other than that, this book was an obvious choice to read this month. I struggled a bit with Reid’s most recent book, but I really enjoyed her first. And even in the more recent one, my struggles came down to some personal preferences, as her writing and world-building is beyond reproach, as far as I’m concerned. And man, am I glad I got to this one! This is now my favorite book by this author, overtaking “The Wolf and the Woodsman.”

Per the usual for Reid at this point, she tackles some dark, complicated themes in this book. Specifically, this one deals with the challenges that women historically have faced when daring to venture into realms previously dominated by men. After being denied entrance to the most prestigious, and her preferred, college, Effy must settle for being the only woman in the second, lesser choice. Her experience goes wrong from the very start, and while the majority of this book doesn’t take place at the college itself, her inner journey is largely based around the events that occurred there.

But beyond real world dangers, Effy’s life has been one of constant vigilance against the dark beings that haunt her, beings that she believes are signs of her own mental weakening. This book is promoted as a gothic fantasy, and I can’t think of a better example of the subgenre. You can feel the atmosphere dripping from the pages, with descriptions of crumbling staircases, flooded basements, and a landscape that is unsteady beneath the feet. The side characters only add to this pervasive sense of building doom. The man who runs the house is mercurial and cryptic, his family history full of cobwebs and deceptions. And their are other beings, lurking around corners, with Effy never quite sure how much is real and how much is in her head.

The book is also marketed as an academic rival romance, which I think is less on point. Effy and Preston are rivals for a hot second before quickly coming to a mutually beneficial agreement of cooperation. And, really, I don’t have a problem with that in this case. There are so many other mysteries on hand that I was happy to see the romance play out in a fairly straightforward manner. Effy has enough on her plate without long bouts of snark and delayed understanding between the two. Instead, their romance follows a slow, steady progression, serving as a solid backbone to all of the uncertainty around them.

There is clearly a lot of thought that has went into building this world. Effy and Preston’s nations are at war, there is a religious system built up around folklore and the deification of great artists, there’s a tragic history of large swaths of the countryside suddenly being swallowed by the sea. While I liked all of it in its own right, I was left wanting a bit more from all of these arenas, at the same time. I’m not quite sure what purpose was served by the nations at war, as this never plays into the story in any meaningful way? And while the religion and folklore received more attention, I was still left with some questions by the end.

However, wanting more is probably one of the best problems to have with a book! As I said above, this book is all about the atmosphere. Effy and Preston are good characters, but now after reading three books by this author, I think I can say that the strengths of her writing lie more with her world-building and dark fantasy elements. Fans of gothic fantasy should definitely check this one out!

Rating 9: Reid presents a master class on how to write a gothic fantasy, delivering a story where the sense of place is just as much a character as any of the human (or not!) variety.

Reader’s Advisory:

“A Study in Drowning” can be found on these Goodreads lists: 2023 Dark Academia Releases and 2023 Gothic.

Kate’s Review: “Your Lonely Nights Are Over”

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Book: “Your Lonely Nights Are Over” by Adam Sass

Publishing Info: Viking Books for Young Readers, September 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Scream meets Clueless in this YA horror from Adam Sass in which two gay teen BFFs find their friendship tested when a serial killer starts targeting their school’s Queer Club.

Dearie and Cole are inseparable, unlikeable, and (in bad luck for them) totally unbelievable. From the day they met, Dearie and Cole have been two against the world. But whenever something bad happens at Stone Grove High School, they get blamed. Why? They’re beautiful, flirtatious, dangerously clever queen bees, and they’re always ready to call out their fellow students. But they’ve never faced a bigger threat than surviving senior year, when Mr. Sandman, a famous, never-caught serial killer emerges from a long retirement—and his hunting ground is their school Queer Club.

As evidence and bodies begin piling up and suspicion points at Dearie and Cole, they will need to do whatever it takes to unmask the real killer before they and the rest of Queer Club are taken down. But they’re not getting away from the killer without a fight.

Along the way, they must confront dark truths hidden beneath the surface of their small desert community. When the world is stacked against them and every flop they know is a suspect, can Dearie and Cole stop Mr. Sandman’s rampage? Or will their lonely nights soon be over . . .

Review: Thank you to NetGalley for sending me an eARC of this novel!

If there is a surefire way to catch my attention when it comes to a book’s description, it’s to compare it to a piece of media or other book that I absolutely adore. It can be a bit of a gamble! The more I love the referenced TV show/movie/book, the higher hopes I have for the book at hand, and if it doesn’t live up to my expectations, I am going to probably ding the book at hand a bit more than I might otherwise. So talk about a huge gamble for “Your Lonely Nights Are Over” by Adam Sass. Not only does it reference one of my most formative horror movies, “Scream”, it also references one of my all time favorite movies, “Clueless”. And the thought of mashing them up? OH MY GOSH. GIVE IT TO ME. I definitely went in wary that the comparison would fall flat and therein influence my feelings. And while “Your Lonely Nights Are Over” didn’t quite meet the potential that I had hoped for it, it had other unexpected things within that really did work for me.

This is one of those odd times where I’m going to talk about what didn’t work for me before I go into what absolutely worked, because I want to end on a high note because there were things that REALLY clicked. But I WILL say that as someone who has consumed horror for years and years, I pretty much called almost all of the twists and called the killer long before any of these things were revealed. This very well may be just because I have seen and read so many horror things that I can spot twists and turns, but it definitely pulled some of the suspense from the story. I was invested in both Cole and Dearie, and liked how Sass wrote both of them and gave them unique voices that really got their experiences and perspectives across. I think they read less like the “Clueless” comparisons, however, and more like “Mean Girls” in some ways, but they did have me laughing a bit with their bantering and snark.

But what really, really shines in this book is how Sass tackles and explores the theme of loneliness, especially when it comes to the unique loneliness that can come with being a queer person. Dearie and Cole are both VERY close and have a relationship that transcends romantic and platonic, but there are still aspects about each of them during this book that does isolate themselves from each other. On top of that we also get the loneliness of being closeted for some characters, or the loneliness of gay people from generations where coming out came later in life, or just the loneliness of being a queer teenager trying to navigate through life. I loved how Sass dissected this idea and unabashedly puts forth that solidarity between queer people is a way to combat that loneliness and the horrors that it can bring, whether it’s a slasher killer in a story like this, or the real life horrors of bigotry, self loathing, and isolation.

“Your Lonely Nights Are Over” may have been a little predictable for this longtime horror fan, but I really enjoyed other parts of it. It will surely thrill its target demographic, and it should be on YA Halloween book lists this October.

Rating 7: The characters are fun but the mystery is a bit predictable. But I loved the message about loneliness in the queer community and how finding your people can combat it.

Reader’s Advisory:

“Your Lonely Nights Are Over” is included on the Goodreads lists “Queer Horror”, and “YA Serial Killers”.

Serena’s Review: “Witch of Wild Things”

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Book: “Witch of Wild Things” by Raquel Vasquez Gilliland

Publishing Info: Berkley, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Legend goes that long ago a Flores woman offended the old gods, and their family was cursed as a result. Now, every woman born to the family has a touch of magic.

Sage Flores has been running from her family—and their “gifts”—ever since her younger sister Sky died. Eight years later, Sage reluctantly returns to her hometown. Like slipping into an old, comforting sweater, Sage takes back her job at Cranberry Rose Company and uses her ability to communicate with plants to discover unusual heritage specimens in the surrounding lands.

What should be a simple task is complicated by her partner in botany sleuthing: Tennessee Reyes. He broke her heart in high school, and she never fully recovered. Working together is reminding her of all their past tender, genuine moments—and new feelings for this mature sexy man are starting to take root in her heart.

With rare plants to find, a dead sister who keeps bringing her coffee, and another sister whose anger fills the sky with lightning, Sage doesn’t have time for romance. But being with Tenn is like standing in the middle of a field on the cusp of a summer thunderstorm—supercharged and inevitable.

Review: Cozy fantasy is a term that I both am a bit skeptical of (it seems like another way of differentiating “serious” SFF from “that woman stuff” which I don’t think benefits anyone) and a subgenre that I’ve struggled to enjoy. But I do like romances and I do like sister drama and I do like low-level family magic, so I thought this one was definitely worth a shot. However, in the end, I don’t think this is the best example of any of these themes.

But I’ll start with what I did like. For the most part, the main character was a good lead. I enjoyed her voice, and in particular, her relationships with a few of the women in her life were very interesting and explored a level of complexity that I hadn’t expected. For example, Sage has a close friend who has a struggling marriage, and I appreciated the care that went into the balancing act that is supporting a friend in this situation where, to an outsider, the problem and solution seems easy, but to the friend whose life is in the balance, things are much more complicated. I also really appreciated the exploration of Sage’s relationship with the woman who took over the care of Sage and her sisters when they were young. There were some very nice points about grief and the burdens we can place on those around us when caught up in devastating positions. But, even here, there were moments where the depiction of this relationship took a bit of jarring turn towards the simplistic, with Sage taking on a rather “perfect victim” persona that left me wanting.

And this speaks to many of my problems with the other relationships in this books. Many of the characters, including Sage herself at times, came across as simple and without any real depth of character. The romantic hero is the most bland example of handsome perfection that I’ve come across in a long time. Pick out some romance hero tropes, and he checks them all of neatly, right in a row. And then the relationship between Sage and her angry younger sister, Teal, verged on the ridiculous at times, with Teal coming across as an unbelievable caricature of irrational anger.

Beyond this, I struggled with the overall tone of the novel. At times, Sage definitely took on a more YA sounding voice, testing my ability to believe her to be a 29 year old woman who has actually lived in the world. This isn’t helped by the inclusion of some truly cringe-worthy AOL conversations from her teenage years. And, unfortunately, these blasts from the internet-past can’t be simply skipped as they are key to understanding the unfolding relationship between Tenn and Sage in the present day.

There were bits and pieces of the story that I liked, which did help me get through it. But I often found myself struggling to really invest in any of these characters or care about the romance at the heart of it. I do think there are readers who will enjoy this, but I think the biggest failure lies with its inability to depict adult characters who…well…behave and think like adults.

Rating 6: Not for me, though I do think the depictions of the beautiful location and some of the lyrical moments had merit.

Reader’s Advisory:

“Witch of Wild Things” can be found on these Goodreads lists: Mushrooms, Toadstools, Fungus and The Witches.

Kate’s Review: “No Child of Mine”

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Book: “No Child of Mine” by Nichelle Giraldes

Publishing Info: Poisoned Pen Press, September 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: There’s something in the dark. And it’s starting to whisper…

Essie Kaur has defined herself by her ambitions, a fiercely independent woman whose only soft spot is her husband, Sanjay. She never imagined herself as a mother. It was never a part of the plan. But then she finds out she’s pregnant. As her difficult pregnancy transforms her body and life into something she barely recognizes, her husband spends the nights pacing in the attic, slowly becoming a stranger, and the house begins to whisper.

As Essie’s pregnancy progresses, both her and Sanjay’s lives are warped by a curse that has haunted her family for generations, leaving a string of fatherless daughters in its wake. When she’s put on bedrest, Essie trades the last aspects of her carefully planned life for isolation in what should be a welcoming home, but she isn’t alone. There’s something here that means to take everything from her…

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

Here we are again, taking on a horror novel that has pregnancy horror as one of its big themes. I’ve said it many a time, but it’s no shock this is a big trend in horror right now, given that there are many real life horror stories being told about pregnancy in the shadow of reproductive rights being attacked in this country left and right. “No Child of Mine” by Nichelle Giraldes is in good company as it reflects the darkness and bleakness we in the U.S. are dealing with, some places far worse than others. That isn’t to say that “No Child of Mine” is run of the mill or cookie cutter. It has some new things to say, and this time we have a family curse at hand!

What sets “No Child of Mine” aside from other pregnancy horror related stories that have come out this year is that the horror aspects are actually existing outside of the fetus/child. You don’t get the sense that Essie is growing something malevolent inside of her, or that once this child arrives she will become a danger to herself or others. But that doesn’t mean that this book is any less intense when it comes to Essie’s pregnancy, and showing the scary stuff that can come with it. Whether it’s intense morning sickness that can’t be quelled, or the inconvenient timing upending Essie’s dreams of becoming an attorney (dreams that she had already delayed so that her loving husband Sanjay could do grad school first), or just how pregnancy can make a person feel like little more than a vessel and incubator, Giraldes does a great job of showing how freaking isolating and scary pregnancy can be. Hell, even as someone who had planned for her pregnancy and was actively trying for it, I found SO MUCH of Essie’s frustrations and worries relatable. Maybe it’s people expecting her to be elated and joyful, maybe it’s Sanjay seemingly more concerned with how the baby is doing versus how Essie is doing, maybe it’s the assumption that her mourning her independence means she’s a shitty mom, all of these things were SO apt it raised my hackles as I read.

I do think that I wanted a bit more expansion for the antagonist and the explanation of the family curse that has haunted Essie’s bloodline, however. I really liked the set up for it, and seeing the many different ways that women in her family have had their lovers taken away shortly after having a baby girl. It also made for a tense build up as to what was going on with Sanjay, as he becomes more and more distant and terse as her pregnancy progresses, and how that too had perhaps been seen in the generations before. But by the time some reveals come out, I realized that the foundation we were working with was pretty shaky, and that the curse was needed to drive the story but wasn’t really drawn out into whys and hows. On top of that, the resolution to the whole thing went pretty fast and seemed to be an afterthought, almost too easily resolved and wrapped up with a bow. I wasn’t mad at how it shook out, but it just went really fast in comparison to the build up.

All in all, I’m always down for horror tales that talk about pregnancy and motherhood. “No Child of Mine” is another reflection of the time we are living in in the United States, with societal expectations and medical issues being potentially more difficult to vanquish than a family death curse. What a time to be alive, huh?

Rating 7: Another all too real horror tale about the dark side of pregnancy and the expectations that come with it. I wanted a bit more explanation and a less rushed ending, but it felt pretty damn relatable.

Reader’s Advisory:

“No Child of Mine” is included on the Goodreads list “Horror to Look Forward to in 2023”.

Book Club Review: “The Wee Free Men”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is song inspirations, where we were given a random song from a random genre and had to pick a book based on the song.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “The Wee Free Men” by Terry Pratchett

Publishing Info: Doubleday, May 2003

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Song Inspiration: “Fairies Wear Boots” by Black Sabbath

Book Description: Armed only with a frying pan and her common sense, Tiffany Aching, a young witch-to-be, is all that stands between the monsters of Fairyland and the warm, green Chalk country that is her home. Forced into Fairyland to seek her kidnapped brother, Tiffany allies herself with the Chalk’s local Nac Mac Feegle – aka the Wee Free Men – a clan of sheep-stealing, sword-wielding, six-inch-high blue men who are as fierce as they are funny. Together they battle through an eerie and ever-shifting landscape, fighting brutal flying fairies, dream-spinning dromes, and grimhounds – black dogs with eyes of fire and teeth of razors – before ultimately confronting the Queen of the Elves, absolute ruler of a world in which reality intertwines with nightmare. And in the final showdown, Tiffany must face her cruel power alone…

In a riveting narrative that is equal parts suspense and humor, Carnegie Medalist Terry Pratchett returns to his internationally popular Discworld with a breathtaking tale certain to leave fans, new and old, enthralled.

Kate’s Thoughts

We all know full well by now that I am not the biggest fantasy fan, genre wise. It just usually doesn’t hit for me, so I came into this rendition of book club with not a lot of experience with Terry Pratchett. I have read “Good Omens”, the super fun novel he co-wrote with Neil Gaiman, but I haven’t read any of his “Discworld” series. I did, however, love the humor and cheekiness of “Good Omens”, so I was excited to have a chance to see Practchett on his own. “The Wee Free Men” was my second experience with him, and I found his voice absolutely delightful.

“The Wee Free Men” is part witch tale, part coming of age, part humor filled romp. There were multiple laugh out loud moments for me, with Pratchett just excelling in quippy moments and dialogue that cracked me up while also having genuinely heartwarming beats about family and growing up. I liked Tiffany and I liked her journey of learning about her role as a witch (a role that has been in her family, whether overtly known or not), and while there were still fantasy pitfalls that I don’t connect with as much, it wasn’t so overwrought that I lost interest. I liked the mythos involving the Wee Free Men, the fairies, and other mystical beings that show up (I was cackling when there was mention of Headless Horsemen, so many fun references to other fantasy tales!) to shine or cause trouble. But I alsoliked watching Tiffany have to overcome obstacles in hopes of finding her younger brother and saving him from a cruel queen. And oh man, the Wee Free Men. How feisty and how charming!

“The Wee Free Men” is a goofy and delightful fantasy story from Terry Pratchett, an author who is deeply missed in the genre. I could see myself reading more “Discworld” due to his voice and whimsy. It’s a fun book.

Serena’s Thoughts

As much as I am the fantasy reader for this blog, I, too, am not overly familiar with Terry Pratchett’s work. I’ve read a few stand-alone books here and there, but, like Kate, I haven’t read any of the books in his famous “Discworld” series. Honestly, I’m kind of intimidated by the entire idea! But if this book is any indication, I should definitely check it out.

In a lot of ways, it reminded me of Catherynne M. Valente’s “Fairlyand” series. Not only did Tiffany’s straight-forward approach to courage and adaptability to the strangeness around her remind me of September, but the overall tone of the story was very similar. There was a whimsical style to the storytelling that is very engaging. And the laugh-out-loud witty moments were often paralleled neatly beside incredibly insightful reflections on human nature and relationships. Like Kate mentioned, there are also a lot of fun references and Easter Egg like nods to various other fantasy elements and tropes. It’s the kind of story that, tonally, can read like it’s meant for a younger audience, but then when you really dive in, many of the jokes and quips depend on the deeper well of knowledge present in adults.

Overall, I really enjoyed this book. It was, quite simply, a fun time. And the type of fun where the book almost tricks you into missing the fact that it actually has a lot of deeper thoughts to convey.

Kate’s Rating 7: A cute and at times poignant fantasy tale from a cheeky author who is greatly missed, “The Wee Free Men” is funny and endearing.

Serena’s Rating 8: Fun and creative, this book will likely appeal to fantasy readers who enjoy the absurd but reflective nature of authors like Catherynne M. Valente and her ilk.

Book Club Questions

  1. Have you read any other Discworld books before this one? If so, as it’s a Young Adult targeted novel, how does it compare to the other books in the series?
  2. What did you think of the mythology that Pratchett created for this story? Did you like certain characters or beings more than others?
  3. Terry Pratchett is known for being a big tongue in cheek with his fantasy stories Do you like the tone that he used for this book?
  4. What did you think of Tiffany’s journey in the novel?
  5. Did you catch any homages or tributes to other fantasy stories in this book?
  6. What did you think of the description of Fairyland?
  7. Do you think you would read any more Tiffany Aching books? Any other Discworld books?

Reader’s Advisory

“The Wee Free Men” is included on the Goodreads lists “Best Heroine in a Fantasy Book”, and “Wise Women, Witches, Midwives, Healers, and Strong Girls”.

Next Book Club Pick: “Snapdragon” by Kat Leyh

Serena’s Review: “Together We Rot”

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Book: “Together We Rot” by Skyla Arndt

Publishing Info: Viking Books for Young Readers, August 2023

Where Did I Get this Book: copy from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Wil Greene’s mom has been missing for over a year, and the police are ready to call the case closed–they claim she skipped town and you can’t find a woman who wants to disappear. But she knows her mom wouldn’t just leave…and she knows the family of her former best friend, Elwood Clarke, has something to do with it.

Elwood has been counting down the days until his 18th birthday–in dread. It marks leaving school and joining his pastor father in dedicating his life to their congregation, the Garden of Adam. But when he comes home after one night of after a final goodbye with his friends, already self-flagellating for the sins of drinking and disobeying his father, he discovers his path is not as virtuous as he thought. He’s not his father’s successor, but his sacrifice. For the woods he’s grown up with are thirsty, and must be paid in blood.

Now on the run from a family that wants him dead, he turns to the only one who will believe him: Wil. Together, they form a reluctant partnership; she’ll help him hide if he helps her find evidence that his family killed her mother. But in the end they dig up more secrets than they bargained for, unraveling decades of dark cult dealings in their town, led by the Clarke family.

And there’s a reason they need Elwood’s blood for their satanic rituals. Something inhuman is growing inside of him. Everywhere he goes, the plants come alive and the forest calls to him, and Wil isn’t sure if she can save the boy she can’t help but love.

Review: This is definitely one of those books that crosses genres between what Kate and I both like to read. She, of course, would be drawn by the creepy nature of the story, especially the focus on the dark cult. While I like the paranormal aspect of it, and the spooky, haunted forest that sounds right out of the best kinds of fairytales. I think I can safely say that we both liked the cover. Through some snooping on Kate’s personal Goodreads, she also read this book and liked it, overall. For me, it was a bit more hit and miss.

But let’s start with what did work. And the first thing that comes to mind is the atmospheric nature of the story. As I said, I was partially drawn in by the mention of a cursed woods, and man, that cursed woods really hits well. Not only do large chunks of the story take place in the woods themselves, but the author has a real talent for evocative writing, making the trees themselves come alive. This same skillful writing also very much works with the more creepy aspects of the story. There were definitely some scenes and descriptions that were truly horrific, but some of these same scenes were also rather beautiful? While others were simply gruesome. Either way, the author’s writing style definitely leant itself to these more descriptive, lyrical moments of the story.

I struggled more with the pacing and the characterization of the two main POV characters, and, to lesser extents, the side characters. Both of these quibbles come down to the same thing, I think: this is an incredibly short book. On one hand, I always want to applaud authors who don’t feel the need to write massive tomes. But on the other hand, there is also a point where a book can suffer for its brevity, and that’s the case here. While Wil and Elwood had the makings of excellent characters, there simply wasn’t enough time in the book to really flesh each of them out, let alone the complicated nature of their relationship. For all that we are told that they used to be close, they had a fight, and then this book sees them coming together again, the reader is never truly given enough of this history to invest in this changing relationship. Instead, where there was room for a lot of depth of feeling and growth, we are left with a story that goes from “enemies” to “lovers” in the blink of an eye, undermining the supposed seriousness of their original falling out.

The same problem shows up in the overall pacing of the story. Because the book is so short, the reader is jumping from one scene to the next quite quickly. The entire story also only takes place over a few days, adding to this rather frenetic reading experience. While I think books that tell a story that plays out in a short time span can work, they still rely on enough substance to be woven in to allow the reader to fully invest in the characters and the situations they are experiencing. And unfortunately, some of that greater substance was lacking.

Overall, I think this book had a lot of potential, and even fifty or so more pages added on could have bounced this up to an 8 rating for me. As it stands, I think the author has a real skill for lyrical, evocative storytelling, so I’m definitely interested to see what she does next! Fans of contemporary paranormal horror will likely enjoy this one, but go in more for the creepy forest and religious cult than for the characters.

Rating 7: A sure hand on the lyrical style of her writing, I simply wish Ardnt had allowed us more of it than what we got here in this shorter, paranormal horror story.

Reader’s Advisory:

“Together We Rot” can be found on these Goodreads lists: YA Folk Horror and Moody stories about small towns with secrets and magic.

Serena’s Review: “Murder at Midnight”

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Book: “Murder at Midnight” by Katharine Schellman

Publishing Info: Crooked Lane Books, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Previously Reviewed: “The Body in the Garden” and “Silence in the Library” and “Death at the Manor”

Book Description: Perfect for fans of Deanna Raybourn and Ashley Weaver, when a body is found shot to death after an unexpected snowstorm, Lily Adler quickly realizes that some people will stop at nothing to bury their secrets this holiday season.

Regency widow Lily Adler is looking forward to returning to Hertfordshire to spend time with the family of her late husband. She is also excited that Captain Jack Hartley, her friend and confidante, will be visiting his own family after a long voyage at sea. With winter quickly approaching, Lily is most excited at the prospect of a relaxing and enjoyable Christmastide season away from the schemes and secrets she witnessed daily in London.

At a neighborhood ball, she soon becomes reacquainted with a friend of her late husband, Peter Coleridge, a wealthy man who not only manages Irish investments, but also a fund that most of the locals of Hertfordshire take part in. There, she also learns Jack’s sister, Amelia, is the subject of much of the neighborhood gossip—although Amelia refuses to explain if there is any truth to it. For a brief moment, Lily wonders if she ever really left London.

When a snowstorm forces several guests, including both the Adlers and the Hartleys, to stay the night, Lily quickly deduces that all is not well this holiday season. In the morning, a maid discovers the body of a guest in the poultry yard, shot to death—and he is the same man that is scandalously linked to Amelia.

Lily accepts the offer to assist in the investigation, but will she find more than what she bargained for the more she digs? Or will she herself be buried deep within the snow?

Review: Time for another historical mystery review! At this point, I’m really only up-to-date with this series and Sherry Thomas’s “Charlotte Holmes” series. There’s just not enough time in the day to get to all of the books I want, and, unfortunately when push comes to shove, I’ll often prioritize SFF over historical fiction and mysteries. But I do seem to be able to manage to keep up with these two series. I was particularly interested in this latest Lily Adler book due to the fact that while I had enjoyed all of the books up to that point, I had real problems with the latest one. So in my mind, the quality of this latest book would be really telling for my continued enjoyment of the series! And I’m happy to report that while we may not have recaptured the highs of the first book or two, this one is a solid entry in the series and enough of a return to form to ensure my continued reading of these books.

There was a lot to like in this new Lily Adler book. For one thing, I really love this style of mystery, where a large group of suspects (and victims!) are trapped in a location together and must solve a murder. The format allows for a large cast of characters, tons of red herrings that are believable, and much emphasis placed on interpersonal relationships, something that I always focus on in my reading. I also enjoyed the exploration of the group dynamic, which we see done expertly here. As Lily and her companions go longer and longer trapped together in this house, we see the breakdown of conventions and norms, the reduction of individuals to their more basic instincts, and the tendency for people to circle the wagons and “other” anyone who doesn’t fit within strict definitions of right and wrong. For her part, Lily Adler sweeps through these tensions with grace and a practical eye for how these dynamics can relate to guilt and innocence, misplaced fear or rightfully felt concern to hide one’s involvement in a crime. I also really enjoyed the fact that while I was able to piece together some clues to the mystery, there were many other twists and turns that I didn’t spot coming!

I also really enjoyed the continued interpersonal and romantic dynamics. In the previous book, a new love interest was introduced, and while I didn’t have any issues with this character on his own, I was already firmly in the corner of Lily and Jack. So of course I was beyond pleased when Jack himself returned in this book and played a fairly central role. But I also was surprised by how much I enjoyed the continued exploration of Lily’s relationship with this other suitor. The relationship took a few surprising turns, and I was impressed by the way the author used this relationship to highlight the true choices that women faced in this time, even when partnered to a good man by every definition.

I also really enjoyed meeting some new characters, notably Jack’s younger sister Amelia who plays a central role in this story. We also get some POV chapters from her, which I very much enjoyed. Fans of the series are sure to enjoy this one!

Rating 8: All in all, this was an excellent entry in the series. I was glad to see the return of fan favorite characters, and was pleased to see an improvement in the mystery itself.

Reader’s Advisory:

“Murder at Midnight” can be found on this Goodreads list: Historical Mystery 2023

Kate’s Review: “What Kind of Mother”


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Book: “What Kind of Mother” by Clay McLeod Chapman

Publishing Info: Quirk Books, September 2023

Where Did I Get This Book: I received an ARC at ALAAC23

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: After striking out on her own as a teen mom, Madi Price is forced to return to her hometown of Brandywine, Virginia, with her seventeen-year-old daughter. With nothing to her name, she scrapes together a living as a palm reader at the local farmers market.

It’s there that she connects with old high school flame Henry McCabe, now a reclusive local fisherman whose infant son, Skyler, went missing five years ago. Everyone in town is sure Skyler is dead, but when Madi reads Henry’s palm, she’s haunted by strange and disturbing visions that suggest otherwise. As she follows the thread of these visions, Madi discovers a terrifying nightmare waiting at the center of the labyrinth—and it’s coming for everyone she holds dear.

Combining supernatural horror with domestic suspense into a visceral exploration of parental grief, What Kind of Mother cements Clay McLeod Chapman’s reputation as a “star” (Vulture) and “the twenty-first century’s Richard Matheson” (Richard Chizmar, Chasing the Boogeyman.)

Review: Thank you to Quirk Books for providing me with this ARC at ALAAC23!

One of my missions at ALAAC this past summer was to see if I could get my hands on an ARC of Clay McLeod Chapman’s “What Kind of Mother”. After reading “Ghost Eaters” and being wholly blown away and freaked out, his newest book was a must read. I was very happy when I did, indeed, get an ARC, and while I knew it was a high priority read, I would have to prepare myself. For one, Chapman is absolutely no holds barred brutal in his horror stories when he wants to be, whether that be seen through horrifying imagery, or soul shattering pathos. And for another, the themes of this story include a missing and presumed dead child. So combine the two and I’m probably going to be wrecked. But hey, with enough emotional preparation and steeling of oneself, surely I could come out of this relatively emotionally unscathed, right?

Ha ha ha, WRONG. (source)

Chapman has once again knocked me off my feet because his ability to pull out so many elements of multiple genres and apply it to this horror tale is so, so phenomenal. I knew that this was at its heart a horror story, but he also effortlessly brings in glimmers of dark fantasy thriller, with our protagonist Madi. Madi is down on her luck and trying to start over back in her home town, with her teenage daughter in tow (the daughter whose impending birth made a pregnant and teenage Madi flee this town in the first place). She sets up shop reading palms and cold reading clients to tell them what they want to hear. But when she reconnects with old flame Henry, whose own son Skyler disappeared a few years prior when he was a baby, she realizes that she is having actual visions of Skyler, and may be able to find him. As a dark fantasy thriller this is already great. So when Chapman also added in a slight pathos driven romance between the former lovers, as they are both at the end of their ropes and connecting over Skyler’s potential presence. I liked seeing these two desperate characters and seeing them team up, and fall into something potentially emotionally unhealthy. Madi and Henry both have a lot of pain that manifests in different ways, and their complicated personalities and relationship echoes what I expect from gritty complex woman centered thrillers. That alone drew me in. It’s suspenseful and poignant, as the idea of a child going missing is a complete nightmare to me and it felt like Henry’s grief and guilt was pretty spot on.

And then Chapman threw me for a loop that I didn’t at all expect, and it completely fucked me up. I don’t want to go into any spoilers here because I think that it needs to be a surprise. But I will talk about the horror elements in some terms that keep it a bit close to the vest. Firstly, so much nasty body horror. And what I loved about it was that this book isn’t super gory, but Chapman still made me cringe and squirm with some of the descriptions. It’s also incredibly creative in the direction it goes and what it means for the characters who are dealing with it. So the imagery is definitely freaky and unsettling. But then there is the more visceral and personal horror of this book, and that is the grief, fear, and guilt that comes with a missing child for any parent that is going to be reading this story. Chapman really taps into that deep seated horror (one that I absolutely have when it comes to my daughter) and twists the knife, creating moments that are gut wrenching either because of the despair involved, or because as a parent there were moments where something just awful was happening… and I couldn’t really assure myself that I wouldn’t be behaving in a similar way were I in a similar situation. These were the moments that just gutted me, and as the story unfolded in a new way that explored parental devotion and inability to either seek or accept closure, the more disturbed I became. This one is going to sit with me for a long time because of these moments. Goddamn you, Clay McLeod Chapman (I say that mostly in awe of you, sir).

“What Kind of Mother” is just brutal, but it’s a must read for horror fans. Clay McLeod Chapman is an up and coming powerhouse in horror literature, and if you haven’t checked him out yet, now is the time. But be warned: you aren’t going to see crabs the same way after reading this.

Rating 9: Devastating, horrifying, and a brutal depiction of parental grief, guilt, and devotion. I’ll be thinking about “What Kind of Mother” for awhile.

Reader’s Advisory:

“What Kind of Mother” is included on the Goodreads lists “2023 Gothic”, and “Horror to Look Forward to in 2023”.