This post may contain affiliate links for books we recommend. Read the full disclosure here.
“Year of Sanderson” is an on-going, monthly series that will post on the last Friday of each month in which I will cover various Brandon Sanderson-related things. This will largely be comprised of book reviews (some from his back catalog and some from the books being released this year), as well as assorted other topics like reviews of the items in the swag boxes that will be coming out as part of Sanderson’s Kickstarted campaign. Frankly, we’ll just have to see what we get from this series, very much like the Kickstarter itself!
Book: “The Frugal Wizard’s Handbook for Surviving Medieval England” by Brandon Sanderson
Publishing Info: Dragonsteel Entertainment, April 2023
Where Did I Get this Book: own it!
Where Can You Get this Book: WorldCat.org| Amazon | IndieBound
Book Description: A man awakes in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit. The few fragments he managed to save provide clues to his situation, but can he figure them out in time to survive?
Review: Due to the delayed nature of the first of Sanderson’s four books of the year, here we are with back to back reviews of the first two books he’s releasing. This one was previewed as being a stand-alone fantasy novel that is the only one of the four that doesn’t take place within Sanderson’s larger Cosmere universe. Judging by the title, it was also fairly easy to guess that the tone of this one was going to lean heavily on Terry Prachett style humor. As I’ve had a bit of a hit and miss relationship with Sanderson’s attempts at straight comedy, I was definitely curious to see where this one would land!
Without preamble, the humor in this one wasn’t really for me. But we’ll get to that in a bit. First, let’s focus on what I did like! The story follows a man who wakes up in medieval England and has to slowly piece together not only exactly where he is but who he is. As the story progresses, we see this character slowly begin to confront a past self that is not who he wishes to be any longer. The story works bests when it is exploring these themes of self-discovery, self-loathing, and the drive to change the course of one’s life. There’s also a lot to be found in themes regarding bravery, cowardice, and our understanding of how we fit within the world we inhabit (especially when we don’t fully understand that world itself!)
I also have to discuss the artwork in this book. I really enjoyed the art found in “Tress of the Emerald Sea,” but this one ups the ante even more. Not only do we have a number of full color panels, but every single chapter heading has a unique image, and there are even comic panels sprinkled throughout the story. The production that went into creating this art is simply phenomenal, and there’s no underselling how much these illustrations bring to this particular work. So hats off to Steve Argyle, the illustrator.
While the marketing was spot on in identifying this as a very comedy-focused book, I do think it is misleading to place this within the fantasy genre. In many ways, this really is a science fiction novel, with an emphasis placed on the science of time travel and multi-dimensions, as well as scientific advances in biomedicine. This distinction isn’t make-it-or-break-it, but I do think correctly labeling it as science fiction would better prepare readers for the style of novel they are going to pick up.
Now, I love Brandon Sanderson, and I do think he has comedic skill. However, I also think that sometimes his style of humor can come across as rather juvenile and forced. And that was definitely the case here. Early on, the main character develops a habit of rating the things around him, in the style of Yelp. The first few are funny enough, but it quickly become repetitive and with diminishing returns each time it pops up. Beyond this, while I liked many of the smaller interlude pieces between chapters, here, too, I found some of the attempts at humor just didn’t land for me. As this is a short novel, as compared to Sanderson’s usual door-stoppers, I do think part of the problem was the mismatch in balance between the comedy and the investment in the characters at the heart of the story. Because the story is rather short, I never felt like I was becoming attached to these characters, and without that attachment, I had a lower tolerance for any jokes that fell flat.
Overall, I struggled a bit with this book. I found myself putting it down more than once, and it generally felt like a bit of a trial to get through it. Readers who enjoy Sanderson’s comedic chops, however, will likely feel differently. But if you’re one of the fans who enjoy his more epic and serious work, this might be a miss for you, too.
Rating 7: Probably the lowest I’ve ever rated Sanderson, which is too bad since the artwork was amazing! But there’s no denying the very real struggle that was finishing this book at all for me.
Reader’s Advisory:
“The Frugal Wizard’s Handbook for Surviving Medieval England” is on this Goodreads list: Most Anticipated Adult Fantasy, 2023
The Library Ladies 