Where Did I Get this Book: audiobook from the library!
Book Description:Julia has the unusual ability to be . . . unseen. Not invisible, exactly. Just beyond most people’s senses.
It’s a dangerous trait in a city that has banned all forms of magic and drowns witches in public Cleansings. But it’s a useful trait for a thief and a spy. And Julia has learned–crime pays.
Her latest job is paying very well indeed. Julia is posing as a housemaid in the grand house of Mrs. Och, where an odd assortment of characters live and work: A disgraced professor who sends her to fetch parcels containing bullets, spiders, and poison. An aristocratic houseguest who is locked in the basement each night. And a mysterious young woman who is clearly in hiding–though from what or whom?
Worse, Julia suspects that there’s a connection between these people and the killer leaving a trail of bodies across the frozen city.
The more she learns, the more she wants to be done with this unnatural job. To go back to the safety of her friends and fellow thieves. But Julia is entangled in a struggle between forces more powerful than she’d ever imagined. Escape will come at a terrible price.
Review: This book is a strange combination of a million and one elements that shouldn’t work together, but somehow, do! We’ve got an “Ocean’s Eleven” style thieves guild, essentially, operating in a world that is similar to our own, but at an undefined period of time (there are carriages, but also “electric” carriages, people use swords, but there are also muskets, at one point they use an elevator in a building, but they also sail their boats…), There is an inquisition-style hunt going on for witches, but there are also other magical beings that are thought only to exist in folklore. And in the middle of the story we’re presented with an entire new level of world-building with the introduction of a new set of beings with a god-like relation to history and current events.
Throughout this all, what holds things together is Julia, her narrative style and individual character arc. Julia, and her brother Dek (the spelling of character names/places is always confusing when you listen to an audiobook and never see the name spelled out! Ah, the challenges of book reviews!), are the orphaned children of a father who drank and then abandoned what remained of his family when their mother is convicted and executed as a witch. They are taken in by Esme, a woman who runs a successful thieves underground system, and grow up working jobs for this new family. Which all leads to the current circumstance that places Julia, requested by the client for her unique ability to go “unseen” by others when she chooses, as a spy in the household of Mrs. Och and thus caught up in complicated mystery that surrounds the young woman and her toddler son who are taking refuge there.
Julia’s growth through the story was one of its strongest appeals. Not only does she not understand her own abilities, especially when she discovers there is more to them then simply becoming invisible for a bit, but her own world views, and her understanding of her place in it, are consistently challenged. I particularly enjoyed the parallel that is drawn between Julia and another character, Pia, and the example they each set for the consequences that come from making the choices we do in life. Julia, at first, has a very pragmatic approach to her life and her work. She does the job, she gets paid. And this is a comfortable arrangement, allowing her to morally set herself back from her own actions. But when this approach comes to a head in the middle of the book, Julia must question her own definition of “living.”
While Julia’s is obviously the main arc of the story, I also appreciated the other views into poverty and the choices that are available to those struggling to get by that are presented by the other characters. Her brother, Dek, is a talented inventor, but due to their status as orphans and thieves, and his own deformities from a childhood illness, he worries about every being financially compensated if he came forward in an attempt to sell his goods. Another character, Wyn, hopes to be an artist, but struggles to get his foot in the door with an apprenticeship or a place in an art program. Again and again, we see these characters have doors shut in their faces and can understand the comfort that comes from the stability found in their role in this thieves guild, even if the work itself is morally questionable.
As for the story itself and the world-building, I was very surprised when about halfway through the book the plot suddenly expanded massively to include world-changing characters and events. Before it had been a rather simple murder mystery with a strange monster and a mysterious woman with a past. Suddenly these were all small pieces in a much larger moving plot machine. While I liked these expanded elements, they did seem to come out of the blue, forcing the entire story to shift completely, resolving some of the initial elements suddenly in the middle of the story while introducing new ones at the same time. It almost felt like two completely different books. I think this was simply a matter of pacing and of a few info-dumpy passages that were overwhelming. Ultimately, things did become clear, but there was a bit in the middle where I was honestly confused about who was after who and why.
The story does resolve itself for the most part in this book, however the door is clearly left open for sequels. Now that the cards are shown, per se, about the grander conflict going on in the series, I have hopes that any future books would be more settled in their own skin with what story they are wanting to tell. I was also given just enough of Julia’s abilities and origins to keep me coming back for the second book to find more answers alongside her. “Julia Defiant” will be up shortly, I suspect!
Rating 7: A great main character and interesting new world. But it felt like two books mashed together at times, with one focused on a simple monster story and the other setting up larger-than-life characters and plots.
Book: “The Fire Game” (Fear Street #11) by R.L. Stine
Publishing Info: Simon Pulse, 1991
Where Did I Get This Book: ILL from the library!
Book Description:It was just a game…
The first fire started almost by accident. A wastebasket fire in the school library. Jill Franks and her friends found it exciting. And it got them out of school for a few hours.
Who could have guessed that the fire game would quickly spread? That one fire would lead to another? What Jill, and Andrea, and Diane, and the three boys they hung around with would find themselves caught up in the most dangerous—and deadly—game of all?
When one of their fires ends in murder, the game ends—and the real terror begins. All of them realize that someone is playing the game for keeps. Now Jill has no choice. She knows she must find the murderer—before her life goes up in flames!
Had I Read It Before: No.
The Plot: We find ourselves back in Shadyside, after a field trip up to the mountains of Vermont. We join Jill, Andrea, and Diane, three teenagers going to Shadyside High. Diane is new, but Jill thinks that she fits in with her and Andrea because 1) they’re all gymnasts, and 2) Diane is sweet and serious, whereas Jill is flakey and Andrea is a mythic bitch. They’re all lamenting the upcoming geography quiz as they sit in the library, though Andrea is trying to think of a good song for her gymnastics routine instead of studying. Diane mentions that her old friend Gabe is not only a songwriter, he also is moving to Shadyside! And apparently he’s super handsome too. Before they can get more info out of Diane, Max and Nick stroll in. These boys both have crushes on Jill, which pisses Andrea off. Jill, however, isn’t interested. Max and Nick talk about horror movies they watched, and start horsing around. Nick pulls out a lighter and starts playing with it, which makes Diane freak out for reasons unknown to everyone else. A folder accidentally catches fire, and Diane runs away. Andrea snuffs the fire out and drops the folder in a waste basket. They meet up with Diane on the way to math and she apologizes for freaking out…. But then, in math class, smoke wafts into the hallway. Of course the fire wasn’t out, and they set the library on fire! Though no one gets hurt, the geography quiz is cancelled.
They friends all go out after the fire, and they run into Gabe! Boy is he handsome, if not super aloof and elitist about having to move to this small town. But his ears perk up when they mention the fire at school, especially when Andrea takes the blame/credit for it. When Max and Nick ask if he’s ever set a fire before, Gabe doesn’t really answer them, but smiles creepily. It becomes even creepier when at school the next day, he suggests that they set another fire so that they can take the rest of the day off, deliberately this time. Though the friends think that he’s joking at first, he makes it clear that he’s DEAD serious. Diane gets visibly upset and makes an excuse to leave, and when Jill calls after her Gabe dismisses her, saying she’s ‘always been jumpy’. Yeah, Gabe, JUMPY. Andrea, on the other hand, is practically flooding her basement at the concept of setting a fire, and Max grabs the lighter and rushes off. As the others leave the cafeteria, there’s an explosion from the boy’s bathroom.
At this moment it’s solidified that I’m really just reading a book about a bunch of teenage pyromaniacs.
After the attempt of deliberate arson, the friends all meet on the soccer field. Max made it out just in time, and explains that there was a bottle of cleaning solution in the bathroom next to the wastebasket. Diane isn’t pleased, but Andrea is elated. School is cancelled for the rest of the day (that’s it?) and they all go for a picnic and swimming at the cabin that Diane’s parents bought on Fear Island. The boys all have a swim race, and Gabe wins. Andrea makes her interest known, and Diane says she doesn’t care if they date, though doesn’t seem convinced anything will come of it. The friends eat hotdogs and then Diane surprises Gabe with one of his old guitars he gave Diane. As he plays (and is perfect, of course), Jill thinks about how much has changed since he got to Shadyside (a day ago?) and that things have really changed for the better. IIIIIII’M SORRY, he’s a psychopath, Jill! He then holds the lighter under his hand, mesmerized by the flames.
Soon after Jill, Diane, and Andrea are shopping. Andrea keeps grilling Diane for information on Gabe, and Diane talks about how she’s known him since Kindergarten. They pass a pet shop and Jill notices that the cats in the window look like her cat, Mittsy. Oh boy, does this mean Mittsy will be relevant later? Don’t you kill another cat, Stine! The girls go to try on new clothes, but when Andrea tries to go into Diane’s dressing room, Diane freaks out and starts screaming at her. Andrea is shocked. She knew that Diane was modest, but this is nuts! Andrea goes home and after having a pointless conversation with her Mom, she gets a call from Gabe, who asks her out. Even though she thinks that he’s kind of a wackadoo, she also thinks he’s cute, so she says yes. Because bad boys, right?
Sometime after, the group of friends are driving around Shadyside showing Gabe the sights. He’s not too impressed, but when they get to Fear Street his ears perk up enough to only make SOME disparaging comments about it. I assume it’s because he’s evil and feels at home there. They tell him about the time a crazy guy tried to kill people with a chainsaw (“The Wrong Number”), when an old house burnt down after a Halloween party gone awry (“Halloween Party”), and how two kids parents just vanished without a trace (“Missing”, though to be honest they were found pretty quickly…). Gabe thinks that they should go look at the cemetery. He then suggests that it’s time to start another fire, and it’s Nick’s turn. Gabe suggests an abandoned shack in the cemetery, and Nick refuses. Gabe tries to call his bluff, but then decides ‘ah, fuck it’, and sets it ablaze himself. They run off and watch the fire department come at a distance. When they get back to the car, Andrea, pushed to her sexual limits, starts making out with Gabe in the backseat of the car.
Later, Jill, Diane, and Andrea are hanging out watching videos at Andrea’s house. She shows off her new computer, lamenting that the ink in the printer is blue instead of black, but still writes a poem about how horny fires make her. The police are starting to think that there’s a pattern here, and while Jill and Diane are nervous, Andrea is still aroused. Diane says they should stop playing this game, but Andrea refuses to stop saying that it’s way too fun to commit arson. The phone rings, so Jill answers (even though it’s Andrea’s house?) and though the person on the other end says they’re from the fire department, it turns out it’s really just Max playing a trick. Jill hangs up, and demands that they stop the fire game. Andrea finally concedes that they can ‘slow down’ at least. While Diane is in the bathroom (totally happy that the game is going to maybe end), Jill tells Andrea that she has a date with Gabe the next night. Andrea sees it as a challenge.
On the date, Gabe is actually acting like a pretty nice and romantic guy towards Jill. He plays the guitar, opens up about some of his past, and they have a heartfelt conversation. Though when Jill brings up the fact that the girls want to stop the game, he’s dismissive of her and her feelings…. Until they get to Pete’s Pizza and they find that someone has set his father’s car on fire!!!
He and Jill think that Nick must have done it out of jealousy. She calls Nick later that night to ask him why he did it, but he denies it and hangs up on her. Then she calls Andrea to tell her what happened. Andrea is more concerned that the date ended without getting anywhere, but concedes that maybe the game will be done now. That night Jill wakes up to smell smoke, and then finds her cat Mittsy burnt to a crisp!!.. But then it’s just a nightmare, thank GOD, I’m glad no cats had to die for a plot twist this time.
The next day Jill and Nick talk a bit, and he asks her over that night to study together. When she goes to his house, she sees him and Max getting into a car and driving away. Suspicious (And miffed he’s breaking their study date), Jill follows them. They drive to Fear Street, and of course as soon as she turns down the street, her car lurches to a stop and dies. She starts to panic, but is helped by a kind policeman who saw her stranded. He gets her car going again, and she continues to drive. She parks near the cemetery, and gets out to walk on foot… And then sees their car by an old abandoned house… WHICH SOON BURSTS INTO FLAMES!! Jill sees Max and NIck running away from it! She drives to a fire box to alert the authorities, but then drives home. After trying to calm down with yoga and “Three’s Company” re runs, she turns on the news… and finds out that there was a homeless man in the house that burnt down!! Nick and Max are murderers!!
Jill calls Nick to confront him. He balks at first, but then admits that he DID ditch her that night to go to Fear Street with Max, but that they didn’t set the fire! Someone left a note on his doorstep (and Max’s too) telling them to go to Fear Street, and when they got there the fire started. Jill thinks that then it must be Gabe who did it! She calls Diane to go with her to get the note from Nick. But when they get the note, they see that it’s printed in BLUE INK!!!!! LIKE ANDREA’S PRINTER!
SO, Cagney and Lacey go to confront Andrea. Andrea says she didn’t do it and that Jill is only accusing her because her date with Gabe went sour. When they don’t believe her she yells at them to get out and never come back! But then in the middle of the night she calls Jill to ask her to meet her at the gym before school the next morning, because she thinks she may be close to figuring out what’s happening… and that it may involve Gabe! Jill agrees, and the next day she goes to the gym to find Diane there, who says Andrea called her too… BUT THEN THEY FIND ANDREA, AND SHE’S DEAD! Wait, not dead, knocked out. So an ambulance comes to get her. The gym teacher thinks she fell of the balance beam to have hit her head, but they can’t know until she comes to. Jill wonders if Gabe found out that Andrea was on to him, however….
Jill insists that the rest of the group come together, and suggests that perhaps it’s a stranger setting the fires to get to them (though Gabe is still a contender in her mind). It doesn’t go well, as they all start accusing each other of setting the fire and trying to kill Andrea. As Jill is walking home Gabe catches up to her and gives her a ride home. She’s convinced that he’s the one who did it, but doesn’t want him to catch on. He says he has a feeling the fires are done, and that he never should have come to Shadyside or none of this would have happened. I have to agree. Jill, unable to resist his charms in spite of the fact he’s a creep, agrees to go out with him again, especially after he assures her that he’s not interested in Andrea. Jill’s questionable happiness is short lived, as the police show up that night, asking her if she saw anything the night of the fire, since she was in the vicinity. She lies and says no.
Diane invites Jill to her family cabin on Fear Island to unwind. Jill breaks her date with Gabe, and is having a great girls weekend with Diane… Until Andrea calls. Andrea starts to threaten Jill, saying that she knows that it was HER who tried to kill her and that SHE was the one who wrote the note by using her computer!!! But then she says ‘Diane’. SHE THOUGHT JILL WAS DIANE!!! DIANE IS THE ARSONIST/MURDERER! Andrea tells Jill to leave, but after she hangs up Jill can’t find her keys!! So she runs into the woods, but of course gets lost, and of COURSE Diane finds her. When she acts perfectly normal, for whatever reason Jill goes back with her… But yeah, Diane is indeed nutty, and is the one behind all of this. Her motive, of course, is because of Gabe. She tried to take out Andrea for going on a date with him, and set Gabe’s car on fire because she saw him and Jill at a distance. Oh, and also, she is obsessed with fire because, shock and awe, her body is covered in burn scars after she was in a fire when a kerosene lamp exploded when she was a girl. Gabe was so sweet to her when she was recovering, she fell in love with him and has been obsessed with him since. But because of her scars, THEY CAN NEVER BE. Good God. Diane then starts setting the cabin on fire. She is about to set Jill ablaze, but Gabe bursts in, as Andrea told him where he could find them. They all get out of the cabin, and Gabe apologizes for setting off Diane’s psychotic break with his ‘fire game’. The end.
Body Count: 1. I always find it a bit cheap when a homeless person is used as a convenient dead body. Let’s just dehumanize them a bit more, why don’t we?
Romance Rating: 3. I gotta admit that Gabe playing the guitar for Jill was pretty romantic, but then again, he’s also happily stringing along Andrea and Diane to an extent. Also, he’s a complete psychopath.
Bonkers Rating: 2. This was just about a bunch of arsonists being the goddamn worst. Nothing bonkers about that outside of the sheer despicableness of it all.
Fear Street Relevance: 8. The biggest fire with the most dire consequences took place on Fear Street, but more importantly we got a nice little run down of previous “Fear Street” plots in this one! That walk down memory lane easily bumps the number up!
… And then, she isn’t dead. She’s very much alive. Wishful thinking, Diane.
That’s So Dated! Moments: There is a whole scene in which Andrea is showing off her new computer. It’s so amazing it can do calculations, has games, and even a ‘word processor’ on it. It was so quaint and cute. And there is also a scene in which a lime green shirt is the pinnacle of fashion.
Best Quote:
“‘Well I’m not sure about the Undead,’ Jill admitted, ‘but there is something very creepy about Fear Street.'”
It was as if R.L. had to remind us of the premise of this entire series.
“The Fire Game” was really just about a bunch of arsonists with far too much privilege for their own good. I’m hoping that our next book, “Lights Out”, has more responsible (and less sociopathic) protagonists.
Back for 2017, here is a list of some more favorite beach reads! “Beach read” is a very fast and loose term for books people read over the beautiful summer months when we really should be outside “doing things” but are instead reading…maybe outside. Some people see these months as an opportunity to slog through long classics (we’re looking at you “Moby Dick”) before the busy-ness of of the fall starts up, but for the sake of this list, we’re limiting our choices to stand alone, mostly feel good books (though there’s some obvious leeway here for Kate’s horror tastes!) that could be easily brought along on vacations. So, still a very loose definition, but hey, we had to start somewhere! We will select one title for each of the genres we most read.
Serena’s Picks:
Fantasy Title: “Princess of Thorns” by Stacey Jay
I reviewed this one fairly recently on the blog, but it’s still stuck with me as one of the more simply “fun” fantasy books I’ve read in quite a long time. Not only is it a standalone fantasy book (quite the rarity in its own right), but it’s a perfect pick for a summer beach read due to its expert balancing act of tone and story. There’s plenty of action and adventure, just the right amount of romance, witty dialogue, and two main characters who are each a blast. On top of this all, the villain of the story is a compelling and sympathetic character on her own, and in many ways, brings to bare the true heart of the story. This is a fast, fun read that is sure to please fantasy lovers, especially those who like fairytale retellings. For more on this book, here is my review of “Princess of Thorns.”
Science Fiction Title: “Jurassic Park” by Michael Crichton
So while trying to come up with a science fiction pick for this list, I’ve discovered two things: 1.) I need to get back to my science fiction list, cuz man, it’s been a while since I’ve read any and 2.) what I have read is all super depressing and not really fit for a “beach reads” type of list (ie Oryx and Crake). So we’re going old-school with the fan favorite “Jurassic Park.” I don’t need to tell you the story with this one, though if you are basing all of your knowledge on just the movie, you will be surprised by aspects of it. There’s much more science mixed in with all of the dinosaur adventure madness. And yes, before you ask, dinosaurs eating people is my idea of a light read!
Mystery Title: “The Beekeeper’s Apprentice” by Laurie R. King
As a lover of all things Sherlock Holmes, of course I have to highlight King’s amazing “Mary Russell and Sherlock Holmes” series. I’ve been reading these books for over a decade now, and while there are some hits and misses in the long-running series, the first several books, and the first book itself, “The Beekeeper’s Apprentice” are simply excellent. (While this is the start to a series, it easily reads as a stand alone novel, so I feel justified in including it). Here, Mary Russell becomes the apprentice and, later, partner of Sherlock Holmes. There are nods and winks to the original mysteries, but the stories themselves are all new. Most importantly, Holmes is spot on with the way I always think of him, and Mary Russell is a strong enough character on her own to never get lost in his large shadow. Definitely check this book out if you like historical mysteries, and Sherlock Holmes especially.
Historical Title: “The Other Boleyn Girl” by Philippa Gregory
Chances are good that if you’re a fan of historical fiction, especially historical fiction focusing on the years during the Tudor reigns, you’re already well familiar with Philippa Gregory. She’s written what seems like a million and one of these novels in her many years as an author, but I remember picking this book up way back when she was lesser known, and this was her first book and absolutely loving it (I have fairly mixed feelings about many of her following books). The story focuses on the life Mary Boleyn, the younger sister of the infamous Anne Boleyn. Through her eyes, we see the inner workings of the court, all while waiting with a sense of sickened dread for the inevitable doom of her family. While that sounds grim, and yes, it is, Mary’s story still has moments of brightness, and, for the most part, ends in a satisfying manner…you know, given the beheadings and all. This is a longer book, but for fans of historical fiction, especially those who like some romance in their stories, definitely check this one out!
Kate’s Picks:
Horror Title: “‘Salem’s Lot” by Stephen King
If you want to go for fun beach reads that are also a bit scary, you really can’t go wrong with horror master Stephen King. While he’s very good at dark and angsty existential dread, he can also tap into entertaining and ‘lighter’ horror. His second book, “‘Salem’s Lot”, has been referred to as vampires meets “Peyton Place”, so you know that there’s going to be some fun and sudsy drama along with your vampire scares. When a man comes home to the small town of Jerusalem’s Lot, he slowly comes to the realization that the townspeople are turning into vampires. This is the book that has the iconic scene of the little boy vampire hanging outside his brother’s window, and since it was still kind of early in King’s career it was before some of the darker and deeper themes of small town banality and innocence actually hides a deeper evil, a la “It”. Really, for fun vampire fiction, this is the book.
Thriller Title: “The Talented Mr. Ripley” by Patricia Highsmith
I literally read this one on a beach in California when I was a teenager, and have been meaning to revisit it as the trope of the ‘charming psychopath narrator’ has started to gain popularity again. Tom Ripley is living an unfulfilled life, so when he’s approached by the wealthy father of former classmate Dickie Greenleaf, he’s a bit surprised. Seems Dickie is living it up in Italy when he should be at home. So Tom says he’ll go find Dickie, but instead finds a life of luxury and power that he doesn’t want to come back from… even if that means murder and identity fraud is necessary. I haven’t seen the movie version, but I was quite struck with how charming and yet malignant Ripley was, and he paved the way for future characters like Dexter Morgan and Joe Goldberg. For unsettling and addicting thrills, take this one with you.
Graphic Novel Title: “My Friend Dahmer” by Derf Backderf
Okay, before you question my tastes (more than you probably have already), I want to make it clear that this isn’t the story of Jeffrey Dahmer’s crimes. This is the story of his teenage years, as seen through the eyes of his high school classmate and kind of friend Derf Backderf. It looks at the high school years of both boys, with Backderf’s not so popular group taking Dahmer into their fold, but only because they think he’s a complete weirdo whose weirdness entertains them. Backderf tells us the Dahmer he knew in school, the one who was the product of a broken home, who was hiding a heavy drinking habit, and who was never a member of any group of peers who could, or would, relate to him. While Backderf takes special care not to give Dahmer a pass when it comes to his later, horrific crimes, he does ask where the adults in his life were when he was so clearly fighting a number of demons, and whether interference could have saved multiple lives. This book is insightful and, yes, upsetting, but it’s also compulsively readable.
What are you planning on taking to the beach with you this summer? Let us know in the comments!
Publishing Info: Scholastic Paperbacks, November 1997
Where Did I Get this Book: own it!
Book Description:Rachel’s got some pretty strange stuff happening. She can’t control her morphing. One minute, she’s doing homework. The next, she’s morphing a full-grown crocodile, and — without returning to human form — she becomes an elephant. That’s when the floor gives way and Rachel finds herself looking up at what used to be the kitchen ceiling.
What’s going on? No one’s sure, but Rachel and the other Animorphs have to figure it out — quickly. Because if someone sees Rachel’s out-of-control morphing, the other Animorphs and Ax are in some serious trouble…
Narrator: Rachel
Plot: The story starts out in typical Rachel-fashion: jumping into a crocodile pit at the zoo! To be fair, she does it to save a small boy who has fallen in, and this is exactly what she tells Jake when he rants at her later at Cassie’s farm about “exposing them all” when the “friendly crocodile” gave the kid a ride out and drew notice. And in a book full of Rachel making really rash decisions, this one is pretty understandable! Pretty sure they all would have done it, but Rachel has a history of rashness (morphing elephant at both a used car lot and at the zoo, to make animal rights points), so the hammer always seems to come down on her a bit more for this type of stuff.
All of it seems to be mostly put to bed, until Rachel gets home and suddenly, unwillingly, starts morphing elephant in her own room. This, unsurprisingly, brings down the house and she is only just able to get control of herself and morph back before her sisters and mom show up. Between this and the crocodile escapade (people thought she also fell in), she gets quite a lot of local news attention. Rachel, being Rachel, decides that this is just some strange one-off and keeps the whole weird morphing to herself.
The main plot of the story gets tied in when the Animorphs discover that the Yeerks are quite interested in a certain teenage boy actor, one Jeremy Jason McCole. So, I haven’t talked much about the dated aspects of the book, because for the most part they’re just random mentions of VCRs and such, but this is a big one. Teenage super stars are no thing specific to any decade. I mean, we have Beiber and the Jonas Brothers and all that, now-ish. But this one’s pretty hilarious for anyone who grew up in the 90s, as it is a clear and direct reference to Jonathan Taylor Thomas. I mean, you’ve got the name with the rhyming ring to it, and past that, they even discuss the show he is on which has to do with family and, you guessed it, construction. This is such a direct and obvious call out that I couldn’t help but laugh out loud every time I read about it. Which was a lot, since it was the main focus of the story. So, sure, this will read fine to new readers picking up the books today, but without the 90s memories of “Home Improvement” and the JTT madness, much of the humor of this will be lost. But I got it all! And love it.
Jeremy Jason, for all intents and purposes.
Anyways, Cassie and Rachel are the only ones who truly understand how bad it would be if Jeremy Jason was to be made a Controller and started promoting The Sharing. After they very strictly made this point to poor, clueless Jake and Marco (while throwing in the fact that boy, wouldn’t it be fun to scout out this situation anyways!), the team decide to morph seagulls, fly out to Jeremy’s yacht (cuz of course he has a yacht), and see what’s what. Turns out that Visser Three himself is there wooing Jeremy Jason to become a willing Controller. Much of the love for Jeremy Jason is thus instantly evaporated for poor Rachel and Cassie.
With perfect timing, Rachel’s morphing issue strikes again and she falls from the air, somehow morphing directly from seagull to other animals (luckily, conveniently, so that the Controllers don’t find out they’re all human). After escaping from another of Visser Three’s freaky morphs (some type of javelin-throwing sea creature that Rachel is able to “pop” by biting it in her croc morph), Rachel’s little problem is outed. Ax, of course, knows a bit about it and it turns out that Rachel is allergic to crocodiles, and will continue to have this morphing issue until she somehow mysteriously “expels” the DNA.
Now knowing that the Jeremy Jason thing is a serious problem, Rachel decides to take advantage of her moment of stardom as “disaster girl” and get on the same local TV program that will be featuring Jeremy Jason. They will then…somehow stop him from promoting The Sharing?? To do this, however, she lies to her friends and says that the whole allergy thing was taken care of, DNA expelled, she’s ready to go.
So, of course, while they’re all at the TV studio, Rachel’s croc problem goes live and she begins growing a crocodile out of her back (apparently what Ax meant by “expel DNA” was grow a full, live crocodile out of oneself that will detach and then just…be there). This leads to much mania and confusion (Marco morphs a llama, Cassie morphs Rachel, a wild croc is loose), and they are only saved from complete discovery by the fact that there also happened to be a zoologist scheduled for the show and the wild animals running everywhere are thought to be his. Through this all, the Yeerk (bizarrely) decides to bail out of Jeremy Jason, and Rachel steps on it accidentally. Jeremy Jason than flees to Asia after deciding that this whole Controller thing wasn’t quite what it was cracked up to be. The end!
Xena, Warriar Princess: Rachel’s strengths and weaknesses are fully shown in this book. Like a wounded animal, she doesn’t like to let others see when she’s hurting or confused, which leads to much of the craziness from her not asking for help with her morphing issue right away. Later, when she also lies about having expelled the DNA, we see another example of her hiding things from the others. This time, however, we can also see that this is tied up with the fact that she understands her role in the group. She’s the brave one, the one who often helps push the others into action, and to do what they hesitate to do. She, partly rightly I think, worries that without her, the others would struggle with this, and many, missions.
She’s also incredibly brave. When Visser Three is coming after them in the ocean, she plays dead and attacks him when he gets close, giving the others time to flee. She often puts herself in these roles where her own survival is called into question to save her friends.
The other notable feature of this book was the direct tie between her reaction to her croc allergy and her ability to keep control of her emotions, specifically anger. I know that this is a recurring theme in the Rachel books: her anger is what makes her powerful and brave, but it can also really hurt her. Some of the later books get quite silly with this, I think, almost jumping the shark with her character. But this was a good look at this issue as it begins to play a bigger role in Rachel’s character and arc throughout the series.
Our Fearless Leader:Poor, poor Jake. After the last book which focused on the tough realities of being a leader, here we have this one where the poor guy has to deal with crazies like Rachel who just go ahead and don’t tell the whole group relevant information that then leads to even worse scenarios, that he then has to make a call on, mid-mission. All cuz of Rachel’s bad decision making.
<No, it’s much better to find out this way, Rachel. You know – when you
could get us all killed,> Jake said.
Other than this, it was funny reading about Jake and Marco’s endless discomfort with the girls’ infatuation with Jeremy Jason McCole. When they first decide to scout out the yacht more closely, this is Jake’s original plan:
<Marco and I will go in close, land on the boat like any ordinary
seagulls, see what we overhear,> Jake went on. <Rachel and Cassie, you
can be backup. Stay ->
<Yeah, right,> I jeered. <You and Marco go. Me and Cassie stay away.
Yeah, that’s really going to happen. Come on, Cassie, we’re going in.>
A Hawk’s Life: Was Tobias even in this book?? Thank god his book is coming up next and SPOILER this problem gets mostly solved. But not too solved, gotta keep a hold on the massive corner of the teenage tragedy market that is Tobias’s life.
Peace, Love, and Animals: Why Cassie?! Why are you such a fun character in Rachel books, but then become the most stick-ish of sticks in the mud during your own books?? It drives me nuts. Cassie was actually a blast in this book, and her friendship with Rachel is definitely me favorite platonic relationship (others being Marco/Jake and Tobias/Ax). They had a lot of good moments just being girls about Jeremy Jason, and it was fun to read. Cassie was also quick to always correct any mistaken identification of the crocodile as an alligator, too, thus fulfilling her “animal facts” quota for the book.
A fun example of their thoughts on the boys’ reaction to Jeremy Jason:
<It’s so sad to hear so much jealousy, don’t you agree, Cassie?>
<It is sad, Rachel. Terribly sad.>
<This is the worst mission we’ve ever been on,> Marco said.
The Comic Relief: Marco gets some good comedic moments in this one (what’s new), when he decides to abandon Jake with the whole “morph a bug” plan while scouting out the TV studio and just morph a convenient llama that was wandering around from the zoologist’s program. I mean, any excuse not to go bug, ammiright? Lots of quips about llama fur and llama spit and llama behavior ensued and it was great. Most impressive, however, was when things went south with the now-detached croc, Marco, in llama morph, did a mad rush at it. For all of his comedy moments, Marco is one of the bravest members of the group and my love for him only grows! He also has a fun moment in the end of the book with Rachel and some more “Xena” nods.
E.T./Ax Phone Home: Ax, too, plays a significant role in handling the loose croc situation and essentially takes it out of play all on his own. Rachel makes some pretty clear comments about how she’s been impressed by Ax in the past, but this moment really highlighted the strength and speed of Andalites, raising him to a new level in her eyes.
Best (?) Body Horror Moment: Hands down, the “expelling” of the crocodile DNA. I mean, there were pages and pages of descriptions of the very slow process that was the crocodile growing its way out of Rachel’s back and finally dropping off, fully formed. I mean, just think about that whole experience. Or, better yet, don’t.
Couples Watch!: Man, for a book told from the perspective of one of the four characters involved in a couple-ish situation, there was very little to go on here! Maybe a few private asides from Tobias, but we got zero, ZERO, bedroom visits by hawk!Tobias, something that I remember clearly associating with this couple and as happening fairly often in their books. But nope! Nothing! Very disappointing. But the next book is his, so hopefully we’ll see an improvement there. For this book, I just had to fall back on my secondary Marco/Rachel fixation.
If Only Visser Three had Mustache to Twirl: It was strange having Visser Three sucking up to Jeremy Jason McCole, essentially. Didn’t really seem like his usual style of “do first, ask never.” I guess the idea was to highlight how much easier it is on the Yeerks, especially the one controlling someone, if the host is willing? But still, there are more than enough examples of forced-Controllers and in a situation like this where this one, very specific person is needed, it seems like Visser Three wouldn’t have given a hoot what the potential host wanted. But at least he had a relevant morph for chasing the Animorphs again! The javelin-shooting beast (Ax wasn’t paying attention in school to know all about it. Typical.) was a pretty good adversary, all told. Except for that “burst balloon” action there at the end.
The fact that they Yeerks then just let Jeremy Jason run off to Asia to hide also seems highly unlikely. I guess they figured that he wasn’t likely to say anything about it without sounding like a crazy person. But why not just re-capture him and go on with the original plan of using him as a spokesperson for The Sharing?
Adult Ugly Crying at a Middle Grade Book: This didn’t have a whole lot in the “feels” department. It was a pretty wacky story, bookended by an even wackier morphing allergy. Even the side plot with Rachel’s family seemed fine. It’s clear that she still has a good relationship with her father, and the brief moments with her sisters, especially her fear that they may have been hurt when the house collapses, were nice. All in all, just a kind of fun adventure!
What a Terrible Plan, Guys!: I mean, I’m pretty sure Rachel just straight up admits that they have no plan whatsoever when it comes to trying to mess up the Jeremy Jason TV spot. Beyond the lack of plan there, Rachel herself knows there is even less of a plan since she was the only one who know that the crocodile allergy hadn’t exactly been taken care of. All of the luck, all of the time!
Favorite Quote:
Rachel sums up her own character:
But the thing about fear is you can’t be afraid of it. I know that sounds confusing. I guess what I mean is, be afraid if you have to, right? Fear is like this vicious little worm that lives inside you and eats you alive. You have to fight it. You have to know it’s there. You have to accept that you’ll never get rid of it, but fight it just the same. Brave isn’t about not being afraid. It’s about being scared to death and still not giving in.
Scorecard: Yeerks 3, Animorphs 5
No points awarded! I guess the Animorphs technically pulled off their plan of stopping Jeremy Jason from being taken. But really, if I was going to award points for their success in that, it would be 1 point for the crocodile.
Rating: Pretty good! Lacking in much sustenance, but a fun read none the less. I can excuse wackiness when it leads to a fun story. But when wackiness is combined with dramatic nonsense *cough”The Secret”cough*…
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Where Did I Get This Book: A free ARC provided by Net Galley.
Book Description:Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a horror movie–scale massacre. In an instant, she became a member of a club no one wants to belong to—a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout’s knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them, and, with that, one another. Despite the media’s attempts, they never meet.
Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won’t even allow her to recall the events of that night; the past is in the past.
That is, until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit, and Sam, the second, appears on Quincy’s doorstep. Blowing through Quincy’s life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa’s death come to light, Quincy’s life becomes a race against time as she tries to unravel Sam’s truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.
Review: First and foremost, I want to extend a sincere thank you to NetGalley for providing me with a free ARC of this book in exchange for an honest review. It means a lot and I greatly appreciate the generosity,
You all know my deep deep love for horror movies, and that I have a serious guilty-ish pleasure for the slasher film genre. There are so many things about it that are kind of grotesque and trite, but I really do enjoy a slash ’em up kind of flick like “Halloween”, “Friday the 13th”, or “Scream”. I think that my love for that subgenre stems from my time as an awkward teenager who was a bit more cautious and shy than some of her lady friends. Because of this, I really related to the “Final Girl” trope that those movies almost always trot out: the virginal good girl who triumphs over evil and is the only one who can vanquish the bloodthirsty villain. The movie “Behind The Mask: The Rise of Leslie Vernon” did a great job of deconstructing the concept of the Final Girl, as did the movie “Final Girls”, and I’ve been aching to read a book about it as well. When Lauren Beukes “Survivors’ Club” didn’t quite get there, my only hope left was “Final Girls” by Riley Sager, and BOY am I THRILLED to say that this book nailed it and gave me everything I needed.
The very scenarios given in this book as the mass killings that the Final Girls endured are so textbook 80s slasher film that I was living a Dayglow glittered fever dream. You have the college kids in a cabin in the woods, the sorority house massacre, and the isolated motel ambush with a killer who is wearing a sack on his head! PERFECTION. But even beyond setting up the perfect slasher scenarios, Sager also painted pictures of how an actual ‘Final Girl’ might endure after the trauma. As much as we love the idea of Nancy Thmpson or Laurie Strode going on to live happy lives, in the real world the consequences would be far more long lasting. Quincy is a complete mess whose outward appearance is a lie to the pain underneath. She has her baking blog and her true blue fiance, but she is addicted to Xanax and unable to let go of Coop, the cop who saved her all those years ago from a killer in the woods. She has distanced herself from other survivors of violent massacres, Lisa and Sam, because while the media loves to lump them together, she just wants to be herself and to live her life. I really loved Quincy for her full damaged self.
The thing that surprised me the most about this book was that it wasn’t the meta and self referential homage that I was expecting it to be, even though it’s set up was one hundred percent spot on for such a novel. Instead there was a serious mystery here, specifically involving Sam. After Lisa, the original and perhaps most ‘with it’ Final Girl is found dead of an apparent suicide, Quincy is approached by the second, Sam, who had been off the grid for years. The mystery at the heart of this book is about Sam’s experiences, as well as Quincy’s. Though I went in thinking that it would be about the two of them teaming up to find a killer, it turned out to be something much different. And then it superseded my expectations AGAIN when it also became a question about Quincy and her experience at a cabin in the woods. The movies like to portray these Final Girl types as innocents caught up in a whirlwind of circumstance, the ultimate Madonnas who are better than the Whores that surround them and therefore they get to live. But Sager poses that perhaps it’s more interesting if they are just complex, well rounded people instead of just a trope, and questions whether being innocent is the absolute only thing you can be to deserve to survive something as brutal as a slasher killer.
I truly enjoyed this book as a fan of the slasher genre, even if it wasn’t the self satisfied wink fest I thought it was going to be. Fans of this genre really need to go out and get their hands on “Final Girls”. Quincy has every right to stand with Laurie Strode, Nancy Thompson, and all those other badass women who take out those who wish them ill, and she can do it while still being damaged.
Rating 9: A great mystery with some excellent character studies, “Final Girls” goes beyond a meta romp for slasher horror fans and is a fabulous and suspenseful summer read.
Publication Info: Simon and Schuster, December 2013
Where Did I Get this Book: audiobook from the library!
Book Description:A Victorian boarding school story, a Gothic mansion mystery, a gossipy romp about a clique of girlfriends, and a dark other-worldly fantasy—jumble them all together and you have this complicated and unusual first novel.
Sixteen-year-old Gemma has had an unconventional upbringing in India, until the day she foresees her mother’s death in a black, swirling vision that turns out to be true. Sent back to England, she is enrolled at Spence, a girls’ academy with a mysterious burned-out East Wing. There Gemma is snubbed by powerful Felicity, beautiful Pippa, and even her own dumpy roommate Ann, until she blackmails herself and Ann into the treacherous clique. Gemma is distressed to find that she has been followed from India by Kartik, a beautiful young man who warns her to fight off the visions. Nevertheless, they continue, and one night she is led by a child-spirit to find a diary that reveals the secrets of a mystical Order. The clique soon finds a way to accompany Gemma to the other-world realms of her visions “for a bit of fun” and to taste the power they will never have as Victorian wives, but they discover that the delights of the realms are overwhelmed by a menace they cannot control. Gemma is left with the knowledge that her role as the link between worlds leaves her with a mission to seek out the “others” and rebuild the Order.
Review: You may be wondering…a book about snarky popular girls? Why is Serena reviewing this and not Kate, the keeper of snarky girls’ clubs? Well, after I started this book, I found out that Kate did in fact read this book before we started this blog, and I’m now just playing catch up. But, in many ways, this book also sounded like something that would be up my alley. I love historical books, and especially those that fall into the very specific “fantasy of manners” category that often mixes Regency/Victorian fiction with magical worlds and systems. So, while the snarky girls did get on my nerves at points, these other elements that are more typical of my usual reading wares were definitely working in its favor.
The story starts out with us meeting Gemma, a spoiled and rather bratty teenage girl living in India with her parents and dreaming of London. After tragedy strikes and her mother dies in the midst of some strange dark magic, Gemma finds her “dreams” coming true, but not in the ways she would expect. Yes, she’s now in England. But being the new girl isn’t all that she thought it would be, and not only is she set apart by this status, but she’s hiding a dark secret of her burgeoning magical abilities. All too quickly, things begin to spiral out of control and now Gemma needs to not only manage learning her own powers, but finding a way to keep her new friends safe in the process.
While I found myself wanting to smack each of these girls up side the head at one point or another, I loved the clear-eyed look at the harsh realities that were forced upon Victorian young ladies. Each girl has her own struggles to overcome. The beauty who is being essentially sold to the highest bidder in a marriage of convenience. The powerful, popular girl whose charm and magnetic personality allows her to reign over the school but whose control over her self and her decisions doesn’t translate to a life where she has been abandoned by her mother and ignored by her father. The orphan, attending school on a scholarship and whose dreams of beauty and singing are being squashed beneath the realities of an almost unavoidable future as a governess. And Gemma, herself, who is being told again and again by the men around her to keep her head down, be a good girl, and definitely don’t learn anything more about her own magical abilities.
Each of these girls was distinct, and each responded differently to the sudden power and freedom they discover in Gemma’s abilities and the mystical Order, a group of magical women that existed for centuries before coming to a mysterious and tragic end a few decades ago. I loved the slow reveal of the Order and the truth behind the girls who had been at the center of its downfall. There were plenty of surprises, and some that, while I was able to guess the result, were just as delicious in the telling.
I was pretty much picturing scenes from “Practical Magic” throughout this entire book. (source)
My few qualms with the story are purely personal preference. There’s a reason why Kate is the queen of the snarky girls groups and I’m not. At various points in the story, but especially towards the last third, I would get increasingly frustrated with the nonsense of these girls. While the tenuous balance of their friendships read as true of teenage girls, even if I found it annoying at times, it was the complete lack of thought that went into some of their actions towards the end that really got to me. The author did a good job of building up the desperation, frustration, and fear of the future that drove these actions, but I still had a hard time with the complete idiocy that made up some of these decisions, given the information they had about past events. However, this last third was saved by some good action sequences, and a realistic bout of consequences for everything that occurred.
My last point will be that there was the seemingly required romance sub plot in this story. And when I say sub plot, I mean sub sub plot. It was barely there to the point that whenever it was referenced, it almost felt like it was coming out of the blue. The boy in question was rarely involved in the action of the story, would be absent for large chunks of time, and really had no relationship building with Gemma, leaving any feelings she had for him based purely on physical appearance. Luckily, the relationship doesn’t develop much, which felt on par with the above mentioned limitations, but I was left wondering whether it needed to be included at all. I’m guessing that more will come of this in the next few books, which may, in retrospect, make this element read better a second go-around.
All in all, I very much enjoyed this book. I loved the setting of a Victorian boarding school, with the strict boundaries set before these girls as the force upon which the freedoms and power of the magical elements worked against. While I can only hope that in future books the girls wisen up a bit, and maybe snap at each other a bit less, I’m definitely interested enough to continue with the series.
Rating 8: While my tolerance for bratty girls may be rather low, I still loved the magic and the Victorian setting.
Book: “The Secret Diary of Laura Palmer” by Jennifer Lynch
Publishing Info: Pocket, January 1990
Where Did I Get This Book: ILL from the library!
Book Description:Laura Palmer was introduced to television audiences in the opening scenes of “Twin Peaks”–as a beautiful dead girl, wrapped in plastic. Now available in print for the first time in many years (and in e-book for the very first time!), THE SECRET DIARY OF LAURA PALMER chronicles Laura’s life from age 12 to her death at 17, and is filled with secrets, character references, and even clues to the identity of her eventual killer. Fans of the show will love seeing their favorite characters again, and Laura’s diary makes compelling reading as she turns from a naive freshman having her first kiss to a “bad girl” experimenting with drugs, sex and the occult.
“As seen by” Jennifer Lynch, creator David Lynch’s daughter, THE SECRET DIARY OF LAURA PALMER is authentic, creepy, and a perfect book for anyone who loves supernatural suspense.
Review: In case it hasn’t become abundantly clear at this point, I am a HUGE HUGE HUGE “Twin Peaks” fan. It was a show that burned too bright and went out too fast, but went on to change television as we know it. When I finally got to start watching the recent revival, I felt a need to actually get my hands on one of the tie ins to the show that I had heard of, but never actually experienced. That is, of course, the notorious “The Secret Life of Laura Palmer”, a book that is supposed to be the journal of the doomed and tragic Laura Palmer, the victim whose murder kicks off the series. It’s notorious because, similar to books like “Flowers in the Attic” and “Go Ask Alice”, it has a reputation for being salacious and scandalous.
There is definitely something that should be said right away about this book: if you are not familiar with the show “Twin Peaks” and it’s mythos, this book is probably not going to make much sense to you. Jennifer Lynch, daughter of the show’s creator (and amateur meteorologist) David Lynch, writes these diary entries and expects that the reader is going to understand who these characters are and what the significance is to the various situations that Laura describes. So while I knew why it was absolutely upsetting when on page 4 Laura write ‘p.s., I hope BOB doesn’t come tonight’, those who are going in blind would not. My advice would be that if you haven’t seen the show this book should probably be avoided until you have, not only because of confusion but also major spoilers to the plot. All that said, I found it to be a fun(?) read because of the hidden references and the first person perspective from the girl who was dead in episode one. I also have to admit that I smiled pretty broadly every time there was mention of one of my favorite characters from the show, like Bobby Briggs or Audrey Horne. This book also does a good job of expanding upon characters that we only saw through the show’s perspective, and showing sides that perhaps they couldn’t or wouldn’t show after Laura’s murder. This mostly applies to my bae Bobby Briggs. On the show we mostly see an angry teenage boy who makes dumb decisions and generally acts like a brooding whiner. But I loved that in this book we saw the sweet side that was long extinguished by the time we get to know him.
When you are both vindicated and hurting in your love for Bobby Briggs. (source)
But, all that said, as fun as the references and new perspectives were, this book doesn’t really tell me anything that I don’t know about Laura Palmer and how awful and sad her life was. If anything, it merely puts the awful abuse, torture, and sadness that she endured on full display. I need to give Jennifer Lynch the utmost credit for writing the voice of a pre-teen to teenage girl so well. As I was reading this book there were so many moments that I thought to myself ‘yep, my diary entries at this age totally sounded like this’ (to an extent), and I think that it was a genius move to let not only a woman, but the daughter of the series creator as well write it. But the authenticity just made all the stories of sexual abuse, drug use, sex work, and violence feel all the more awful. I know that some of the appeal of books like this one and “Flowers in the Attic” is the taboo-ness of reading them, but when you are reading about a teenage girl recounting all the awful things she has been made to do and the reckless and dangerous coping mechanisms she finds herself in, I was less ‘wow this is fun’ and more ‘ugh, this makes me want to take a shower’. It’s not that I found it exploitative, exactly, as I think that Lynch is very good and making it uncomfortable and decidedly NOT sexy. But I did find it upsetting. Which, at it’s heart, Laura Palmer’s story is supposed to be. By seeing this side of her, it shows her as more than just that smiling picture that everyone thinks of when they think of the show.
“The Secret Diary of Laura Palmer” isn’t necessarily a ‘must read’ for fans of the show, and it certainly isn’t a way for people to get an introduction to the show’s universe. But I appreciate that it gives Laura Palmer a more personal voice than the show did (and I can’t speak for the movie “Twin Peaks: Fire Walk With Me” as I have not seen it). Maybe I would have had more fun if it was the secret diary of Audrey Horne.
Rating 6: While it’s enjoyable for a “Twin Peaks” fan like me, it doesn’t really add much new to the canon beyond a personal perspective. But that personal perspective is super sad and tragic.
Book Description:For the first time, Lois Lane has almost everything she wants. Non-temporary home? Check. Dream job? Double check. Incredible BFFs? The absolute best. And now, her online crush, SmallvilleGuy, is coming to Metropolis. If all goes well, they’ll turn their long-distance friendship into a some-kind-of-fairy-tale romance. But when does all ever go well? Before she can check boyfriend off her list, Lois must take down a mad scientist plus a trio of mutant teens, protect the elusive flying man from the feds (including her dad), and navigate her very first date with SmallvilleGuy. In the follow-up to FALLOUT and DOUBLE DOWN, Gwenda Bond’s reimagination of DC Comics’s first leading lady takes on her toughest challenge yet: Love.
Kate’s Thoughts
So I will wholeheartedly admit that after reading “Double Down”, the previous book in this series, I was starting to feel disheartened. While I absolutely loved Lois Lane and her relationship with SmallvilleGuy, I was starting to realize that I just wasn’t interested in Lois’ life in Metropolis, or her friends, or the mystery that they were all trying to solve. Plus, I was worried that Gwenda Bond wouldn’t be able to sustain the cute relationship between Lois and SmallvilleGuy, aka Clark Kent, aka the future Superman, because if she was to stick with canon, Lois and Clark don’t meet until they are adults. How much longer could I accept Lois and SmallvilleGuy just having an online relationship that doesn’t progress beyond that?
Well good news! Gwenda Bond just tosses all that canon out the window, because it is in “Triple Threat” that Lois and Clark finally meet in person!!!!! Most of the time I’m kind of irked when a new writer or content creator ignores the history of the characters, but in this case I’m grateful that she did. Because I’m still really just here for Lois and Clark.
That isn’t to say that I don’t like Lois’s friends in Metropolis. Because I do, for the most part. But ultimately they are kind of inconsequential, because they just aren’t quite strong enough to stand on their own two feet next to Lois and Clark. And hell, next to the rest of the original characters that have shown up in the series thus far. I even find Lucy Lane infinitely more interesting than Maddy, James, and the rest of the gang. I also wasn’t too interested in the main mystery this time around, just like last time. Teenagers with mysterious powers, potential connection to SmallvilleGuy, blah blah blah.
The true strength in this series is definitely Lois, and to a slightly lesser extent Clark. It’s fun seeing them interact with each other, and be cute and hesitant boyfriend and girlfriend together. These were the parts that I liked, and boy did I like them a lot. I think that while I don’t want Lois to lose her reporter storylines, because that IS who Lois is and she does deserve to be on her own without Clark part of the time, she is stronger with Clark. And honestly, I think that’s kind of a shame.
But something else that I enjoyed about this book? Lex Luthor has shown up. And I think that he could potentially bring interesting storylines in the future should this series continue. Especially seeing the dynamic between the three of them has been switched up a bit.
“Triple Threat” brought us some wonderful and cute Lois and Clark moments. But while I greatly liked those parts, part of me wishes that this Lois Lane could interest me more in her own right, not just when she’s with Clark. However, for pure shipping and romance purposes, this really does a great job of showing what a great couple Lois and Clark are, both romantically and professionally.
Serena’s Thoughts
I had the same feelings going into this one as Kate has expressed. I’m mostly here for Lois and Clark, and while the system that Bond has put in place for them to interact through a virtual reality chat system is cute and all, it was beginning to wear thin. So, in this instance, I was more than thrilled when Bond just threw her hands up in the air and said “Canon schmanon!” and had them finally meet up.
Also, as Kate said, I had similar feelings in the first two books about the unfortunate comparisons that are inevitably drawn between canon characters and the original characters. There’s nothing inherently wrong with any of these characters on their own, but they don’t have the emotional heft and weighty backstory that accompany even the most minor of original characters. Like Kate said, even Lucy, who has tiny, incremental scenes in all of these books, reads as more interesting than the story lines of Maddy, James, Dante, and the crew. This problem is only being expounded upon as the number of canon characters is beginning to heavily out number these originals. We had Perry, the Lanes, Lucy, and online-Smallville guy in the first two books. But here, we have the addition of not only Clark in the person, but his parents the Kents (who I always adore in every version!), and another heavy-hitting character with Lex. Even his father shows up!
This feels weird to say, as the concept of these books as an original take on Lois Lane as a teen is a great idea, and with that goal should come new characters. But whether it was the execution of these new characters or the fact that their storylines were frankly not that interesting ever (there’s a lot of relationship drama between Maddy and Dante that doesn’t fair well in a book where you have Lois and Clark meeting for the first time in real life. The comparison level of interest is never going to play in favor of that), my urge to skim these sections is at an all time high. At this point, there are so many canon characters and their storylines and scenes are so inevitably more interesting, that I almost think it would be best to just shelve these original characters largely. It feels wrong to say/admit that, but I kind of think it’s the truth. I love that Bond has brought in Lex and Clark (outside of the internet), but it’s kind of a game-changer move, and the reality is now that we have them, it’s even harder to think of a fourth book not predominantly focused on this threesome.
In the last two books, I’m also on the record as saying that I have never been a huge fan of the mysteries that are central to the plots. It’s a weird believablity issue, really. Which is a strange thing to say about a book that has a flying alien as a romantic hero. But, look, Superman aside, this is supposed to take place in the real world. So when I’m reading a mystery about teens with wacky abilities, and the science behind it, and the scientists themselves, are all pretty wacky, I end up being thrown out of the story. If my brain is waking up and questioning the physics of things, there are problems. This is also a strange problem, as the comics, cartoon versions, and my beloved “Lois and Clark: The Adventures of Superman” all have a long history of zany mysteries that are just like this. But, and we’re back to it, at the center of all of those plot lines you had Lois and Clark together and a great super villain behind it, Lex. Without those core elements, the wacky, unbelievability of these plot lines just stand out in a negative way.
But, as Kate said, this book gets major props for the things it did right. Namely, forgetting canon and bring in Clark early in Lois’s life, and the addition of Lex. Bond did some creative things with his character that laid a really solid groundwork to understanding how this teenage Lex could grow to be the super villain we all know and love. So for these things, I will be still be here when book 4 comes out!
Kate’s Rating 7: Once again I had little investment in the main story line, BUT there was so much Lois and Clark interaction (and a surprise cameo by Lex) that I was pretty happy with it overall.
Serena’s Rating 7: I’m staring to admit to myself that I just want a novel version of “Lois and Clark: Teenage Reporters” without any of the original added aspects of this series. Sorry, but not sorry.
Book Description:Pyrre Lakatur doesn’t like the word skullsworn. It fails to capture the faith and grace, the peace and beauty of her devotion to the God of Death. She is not, to her mind, an assassin, not a murderer–she is a priestess. At least, she will be a priestess if she manages to pass her final trial.
The problem isn’t the killing. Pyrre has been killing and training to kill, studying with some of the most deadly men and women in the world, since she was eight. The problem, strangely, is love. To pass her Trial, Pyrre has ten days to kill the ten people enumerated in an ancient song, including “the one you love / who will not come again.”
Pyrre is not sure she’s ever been in love. If she were a member of a different religious order, a less devoted, disciplined order, she might cheat. The Priests of Ananshael, however, don’t look kindly on cheaters. If Pyrre fails to find someone to love, or fails to kill that someone, they will give her to the god.
Pyrre’s not afraid to die, but she hates to quit, hates to fail, and so, with a month before her trial begins, she returns to the city of her birth, the place where she long ago offered an abusive father to the god and abandoned a battered brother—in the hope of finding love…and ending it on the edge of her sword.
Review: Readers first met Pyrre in Staveley’s debut trilogy, “Chronicle of the Unhewn Throne,” the badass assassin whose religious order, the Skullsworn, worship the deity of death, Anashael. When I heard that he was writing a spin-off (prequel?) that centered around this character’s origin story, essentially, I was a bit skeptical. Sure, Pyrre was great in her supporting role, but she at times came across as unbeatable, and thus having no conflict, and, while we got into a few of the details of her religion in those first books, it also seemed like its seemingly callous philosophy would present a challenge to creating a sympathetic main character. But, lo and behold, this book blew me away, setting all of those concerns to rest and reminding me just how much I’ve been craving good, standalone fantasy fiction.
Death is at the center of the story. And if that sounds morbid, well, Pyrre, and Staveley, have much to say on the subject. We meet Pyrre at the cusp of her journey to become a full priestess of Anashael, wherein she must complete her final trial, killing ten types of individuals all listed in an ancient song of the order. She has a specific number of days to complete this, all overseen by two witnesses, the grumbly, but deadly Kossal, and the bright, complicated Ela. To do this, she returns to her childhood home of Dumbang.
Having already been introduced to this world, I was particularly thrilled with the setting of Dumbang for this story, a confusing maze of swamp, floating islands, and deadly creatures. The culture, history, and city itself all tied neatly into the greater world we are already familiar with, but were so unique that they stood alone as a completely new slice of this world. Reading this story, I could almost feel the heavy presence of this city, its beauty, its mystery, and the foreboding sense that people are treading where they should not. It perfectly mirrors the philosophy that Pyrre and the Skullsworn abide by: that death is inevitable and, in many ways, the most merciful part of life. Not something to be feared, but to be lived alongside.
The story itself is so compelling, mixing action with adventure, comedy with heartbreak, and neatly tying together the pieces of Pyrre’s life to perfectly illustrate how she came to be who she is and how she will continue to grow into the woman we meet in later stories. Kossal and Ela are great characters off whom Pyrre bounces, challenging her, and the reader, to expand her thinking on what it means to worship Anashael and to live a full life. Ela, specifically, was brilliant, jumping off the page and stealing every scene she was in. At first I was concerned that she was going to fall into a fairly established character type, all smooth sexuality and arrogant charm. But as the story continued, I began to have greater and greater hopes for her as a character and her ultimate role in the story. All of which were ultimately met, much to my joy and relief.
Bizarrely, Run Lan Lac, the man who Pyrre seeks out with the goal to love and to kill, was one of the weaker characters for me. But, given the overall commentary on love and death, upon further reflection, I’ve almost come to feel that this might have been intentional? He plays his role, and I was glad to see that his character remained true throughout all the revelations of the story.
Towards the end, the plot takes a massive leap out into the greater mythology of the world. And, while I have read the original trilogy which lent these reveals some interesting added perspectives, the story itself remained contained within its own pages, and I feel that it is still approachable for new readers even with this more expansive later plotline.
I can’t say enough about the strength of Staveley’s writing. As I said earlier, there were so many challenges he gave himself with the premise of this story. A main character who worships death and kills people with few qualms who must be made into a sympathetic and appealing leading lady. A new setting with a complex history that must still fit within the constraints of a previously built world. Multiple religions with a variety of gods, some familiar from previous books, some new. All while trying to create a standalone novel that is approachable to new readers, but also familiar and appropriately laying the groundwork for a character known to readers of the original series. He not only does all of this, but the book was laugh-out-loud funny at parts and had me on the brink of tears at others. Staveley is quickly climbing the ranks of “must read” fantasy authors.
Rating 9: The epitome of setting tough writing goals and then blowing them all out of the water!
Book: “Gwendy’s Button Box” by Stephen King and Richard Chizmar
Publishing Info: Cemetery Dance Publications, May 2017
Where Did I Get This Book: The library!
Book Description:The little town of Castle Rock, Maine has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told… until now.
There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974 twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong (if time-rusted) iron bolts and zig-zag up the cliffside.
At the top of the stairs, Gwendy catches her breath and listens to the shouts of the kids on the playground. From a bit farther away comes the chink of an aluminum bat hitting a baseball as the Senior League kids practice for the Labor Day charity game.
One day, a stranger calls to Gwendy: “Hey, girl. Come on over here for a bit. We ought to palaver, you and me.”
On a bench in the shade sits a man in black jeans, a black coat like for a suit, and a white shirt unbuttoned at the top. On his head is a small neat black hat. The time will come when Gwendy has nightmares about that hat…
Journey back to Castle Rock again in this chilling new novella by Stephen King, bestselling author of The Bazaar of Bad Dreams, and Richard Chizmar, award-winning author of A Long December. This book will be a Cemetery Dance Publications exclusive with no other editions currently planned anywhere in the world!
Review: One of my favorite things about Stephen King (and there are so, so many things to love about this man, in my opinion) is that he likes to make references to his past works within his books. It makes it feel like his stories exist in their own universe, and it makes it fun to try and spot references as you read his books. He also brings some characters from some books into other books. For example, in his Science Fiction/Suspense book “11/22/63”, his main character travels back in time to stop the Kennedy Assassination… and makes a detour in Derry, Maine, the infected town in “It”. We even got to see some of the characters from “It” in that book, even though they were definitely just treats for his readers. But the character that he does this the most with is Randall Flagg, aka The Man in Black, aka The Walkin’ Dude, aka Walter O’Dim. Flagg is mostly seen in “The Stand” and “The Dark Tower” Series, but every once in awhile he’ll show up in other King works. It’s rumored that he’s He Who Walks Behind The Rows in “The Children of the Corn”, and Raymond Fiegler in “Hearts in Atlantis”. I’m always on the look out for Flagg to come back, as he’s one of my favorite villains of all time.
And in “Gwendy’s Button Box”, the new novella by King and Richard Chizmar, it’s very possible that he has.
Gwendy is a typical awkward pre-teen girl. Teased by her peers and living a less than ideal home life, she’s taken it upon herself to slim down before she starts high school. She does this by running up a very steep set of stairs every day in her hometown of Castle Rock, Maine. And it’s on one of these days that she meets Richard Farris, a mysterious stranger wearing a black hat and coat. The Initials R.F. tell us right away that this is very likely to be Flagg, as does his appearance due to his penchant for wearing black. Oh, and the fact he gives her a magical box covered in buttons, and tells her that it is her responsibility at this moment to keep this box safe. While he doesn’t say it outright, he implies that pressing the buttons could have dire consequences for the world around her. It’s such a terrifying and fascinating concept to hold such a small yet powerful thing in your hands, and Gwendy is the one who is going to be the keeper of that responsibility. At least for now. This is Flagg at a more benign level, as he feels less destructive and more impish, almost like a mentor to Gwendy. The Box rewards her with beautiful chocolate animals, antique coins, and a boost of self esteem. While it didn’t feel like the Randall Flagg that I know and love, this potentially kinder, gentler Randall was pretty fun to read and rather ‘aw’ inducing. After all, how kind and gentle could he be truly if he knows that this box could potentially spell doom for mankind if it falls into the wrong hands?
I think that King and Chizmar did a very good job of writing Gwendy. Even though this is a novella and doesn’t have many pages to delve into her psyche, I felt that she was a realistic and relatable pre-teen girl. She isn’t too popular, she is unsure of herself, and she is happy to take the highs of this box and it’s responsibilities, but reluctant and scared of the lows. I enjoyed that as I was reading this book it was hard to know if there was a cause and effect going on, at least part of the time. When Gwendy pushes one of the buttons, shortly thereafter the Jonestown Massacre happens. Is that coincidence? Or did Gwendy cause it? It’s philosophical tension at it’s finest, making the reader question if she has any affect on the world, or if Richard Farris (aka Randall Flagg) is merely toying with her. She struggles with the knowledge that she has this thing that could potentially be destructive, and yet lives for the perks that it may be giving her. I also think that King and Chizmar did a good job of capturing adolescence as a whole, even if a magical button box wasn’t there. Gwendy makes friends, loses others, finds first love and has to deal with cruel and bad people who are in her life, and it always felt so real and bittersweet watching her go through her teenage years, button box or not.
King and Chizmar created a pretty cohesive book. It’s hard enough to pull off a novella, to hit all the points that you want to hit, and I imagine that doing it with another person is harder still. But it never felt like I was reading two competing voices in this book. It sounds like they created a system that worked for the two of them, and I have to say that I was very impressed with what they came up with. It has that undercurrent of thriller, wondering if Gwendy is going to keep hitting buttons and cause a catastrophe. But it also has that coming of age feel as Gwendy learns about herself and life. Given that King and his son Owen just wrote another book together, I see this as a positive sign that King has the ability to adapt, or at least tweak, his writing to mesh with another person’s.
“Gwendy’s Button Box” was a quick and very satisfying read. We get a nice taste of a return of The Walkin’ Dude, but we also get a heroine grounded in realism, and an existential crisis that kept this reader on the edge of her seat.
Rating 8: Filled with ambiguity and philosophical horror, “Gwendy’s Button Box” doesn’t only bring us back to Castle Rock, it may bring back The Man In Black. King and Chizmar work well to make a cohesive story between two voices.
Reader’s Advisory:
“Gwendy’s Button Box” is fairly new and isn’t on many Goodreads lists. It is, however, on “Best Books to Read In Summer”, and I think that it would fit in on “Weird and Freaky Books”, partially because Richard Matheson’s “Button, Button” is on that list and this book is super similar.