Book: “The Art of Theft” by Sherry Thomas”
Publication Info: Berkley, October 2019
Where Did I Get this Book: Edelweiss+
Book Description: As “Sherlock Holmes, consulting detective,” Charlotte Holmes has solved murders and found missing individuals. But she has never stolen a priceless artwork—or rather, made away with the secrets hidden behind a much-coveted canvas.
But Mrs. Watson is desperate to help her old friend recover those secrets and Charlotte finds herself involved in a fever-paced scheme to infiltrate a glamorous Yuletide ball where the painting is one handshake away from being sold and the secrets a bare breath from exposure.
Her dear friend Lord Ingram, her sister Livia, Livia’s admirer Stephen Marbleton—everyone pitches in to help and everyone has a grand time. But nothing about this adventure is what it seems and disaster is biding time on the grounds of a glittering French chateau, waiting only for Charlotte to make a single mistake…
Previously Reviewed: “A Study in Scarlet Women” and “A Conspiracy in Belgravia” and “The Hollow of Fear”
Review: Continuing my week of Sherry Thomas reviews! While “The Magnolia Sword” took me by surprise (I didn’t realize it was coming out until late in the game, and still later figured out the author was Sherry Thomas), I’ve been impatiently waiting for the release of the latest “Lady Sherlock” story. Thanks to Edelweiss+, I had early access to it on my Kindle, and due to a complete lack of willpower, I ended up reading this book a few months ago but still wanted to review it closer to its publication date, so here we are. And while this wasn’t my favorite book in the series, I’m still enjoying the heck out of these stories and, again, am anxiously awaiting the next.
After helping Lord Ingram escape a false murder charge in the last book, Charlotte Holmes once again finds herself at the service of one of her close friends. This time it’s Mrs. Watson who has been contacted by a friend from the past who is now caught up in a mysterious blackmail/art theft situation. But this time, Charlotte and co. must do more than simply unravel the various players in this charade, but now find themselves playing an active role within the events themselves. Now she must not only discover who is at the heart of this conflict, but find a way to walk the narrow line between solving the case and not becoming a criminal herself!
Many of the strengths of the original books are still present here. Charlotte, as always, is a perfectly realized character, now comfortably familiar in both her quirks (her sense of fashion and preference for sweet treats), her strengths (obviously), as well as her weaknesses (challenges with navigating complicated relationships). One of the pleasing things about a long(ish) running series is this solid comfort with a character who is understood and beloved, but it also come with challenges. Here, while Charlotte is still at the heart of untangling the mystery, it feels like she is not the main character in her own book. That is, there is very little ongoing character development or a unique arc that is devoted to her. Much of this character work is picked up by the others in the book, but for a series that is called the “Lady Sherlock” series, this book was the first that did begin to show some signs of not quite knowing where to go from here with its titular character.
Luckily, the series has already set up a good number of side characters in the first several books so a shift of focus to them, while not preferred, also still feels earned. And I was already invested enough to feel that their conflicts were enough to carry much of this story. Mrs. Watson, of course, is at the heart of this story, and I loved learning more about her past and those who played a role in it. We see, again, both the strengths and weaknesses that lead her to where she is today. She also serves as a good mentor for Livia who ends up taking on a much more active role in this story.
Throughout the series, Livia has always played a bit of a strange role. A decent amount of page time is devoted to her, but she’s typically no where near the action and her development has moved at a fairly glacial pace. Here, Livia finally gets to come out of the shadow and play with the big kids. I loved seeing her come out of her shell, even if it was an uncomfortable process for her. Through her, the story also spends a bit exploring, again, the limitations on women in this time period. And, while Livia’s life has by no means been a happy one, she comes to realize the privileges that she has taken for granted.
I did enjoy the mystery itself as well. After the more active role that Charlotte took on in the previous book, it was nice to see that approach used once again here with Charlotte and co. essentially staging a heist. The story has definite “‘Ocean’s 11’ but in Victorian times” vibes, which I thought was a clever change of pace from the other, more typical mysteries of the first books. There were some surprises sprinkled throughout, as well, and, overall, I found the conclusion and explanation satisfying.
However, for all the answers we do get, there were a few too many loose ends left hanging. This was clearly done on purpose, but there were just one or two too many for me not to begin to feel slightly frustrated and anxious. For one thing, these mysteries are complicated. It always takes a bit of thinking on my part to fully put things together and still I’d have a hard time explaining it all later. But to add more unsolved clues on top of all that, clues I can only assume will come into play in a later book and that I will need to recall…it’s a bit too much. For me, I was left feeling a bit worried that I was not only missing things in this book, but will now likely miss even more in some future story.
The book also ends on a bit of a cliffhanger, which I’m not sure was necessary. It’s not the type that gnaws away at you, but more just introduces the topic of the next book. But it seemed liked a strange choice for an established series. It’s the kind of thing you do in book one or two, just to keep readers interested. But here, it was more like an unneeded “coming next week” preview for a well-watched and established TV show. Just leave it out and let the book end on a note relevant to this book’s story. The next book can take care of itself without page time given to it here.
Those quibbles aside, this was another solid entry in the “Lady Sherlock” series. I’m definitely excited for the next book as it seems like it will focus on a character who wasn’t much seen in this story. And I hope that Charlotte’s more active role continues. However, I also hope that she gets a bit more character development and a more defined emotional arc in future stories. I enjoy the side characters, for sure, but I’m mostly here for Charlotte. All of this to say, if you’ve enjoyed this series so far, you’re good to go on this one as well. And never fear, there will be another; it’s all set up right there at the end of this one.
Rating 8: While Charlotte fades a bit into the background and there are a few too many dangling clues, I enjoyed the addition of a heist plot onto another solid mystery.
“The Art of Theft” is a newer title, so it isn’t on many Goodreads’ lists, but it is on “Historical Mystery 2019.”
Find “The Art of Theft” at your library using WorldCat!
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